As Tanghalang Ateneo opens its 41st season with theme Ecriture Feminine that revolves around women, its first production focused on the wonders of a prominent Catholic figure, the Mater Dolorosa in Peter Zaragoza-Mayshle's "Dolorosa." This is directed by Jenny Jamora.
The 3-act play narrative showed generations with a complex history starting from the Spanish colonial period until the current time when the family is already dysfunctional and broken. You won't recognize the length of this 3-hour production as the playwright gave a very interesting development of the characters and also the mystery of the main figure, the Dolorosa.
The first act, starting with the creation of the image puts the imagination to be inspired on how the image would look like. Similar with the stories of history of what our ancestors have endured under the friars and we are greatly influenced of indulgences and spiritual factors.
While on the 2nd act, when the Filipinos still has a young perceptive of the modern world, we are still impacted with the supernatural. The 2nd act is very interesting though, a certain scene wherein the young Pilar (Zoe de Ocampo) has traveled to an unknown dimension where she meets the various titles of the Virgin. Parts of the Litany depicted in a mind-opening scene that was indeed memorable. Whether it's a fictional world or not, this ignites you to think of your belief. A thing that I would have not expected to come from a Catholic-run institution.
The 3rd act presents the drama and the humor of the whole play. It was a roller-coaster machine brought by the collective of the three generations of the family including the grown Pilar (Bibeth Orteza). Here we face some realities and confronts our own judgments and even our own evils. The characters turn into a redeeming stage which leaves you your own judgment and conclusion.
Tanghalang Ateneo's Dolorosa runs until August 31, with shows at 2:30PM and 7:30PM at the Doreen Black Box Theater, 3F, Arete, Ateneo De Manila University.
The first act, starting with the creation of the image puts the imagination to be inspired on how the image would look like. Similar with the stories of history of what our ancestors have endured under the friars and we are greatly influenced of indulgences and spiritual factors.
While on the 2nd act, when the Filipinos still has a young perceptive of the modern world, we are still impacted with the supernatural. The 2nd act is very interesting though, a certain scene wherein the young Pilar (Zoe de Ocampo) has traveled to an unknown dimension where she meets the various titles of the Virgin. Parts of the Litany depicted in a mind-opening scene that was indeed memorable. Whether it's a fictional world or not, this ignites you to think of your belief. A thing that I would have not expected to come from a Catholic-run institution.
The 3rd act presents the drama and the humor of the whole play. It was a roller-coaster machine brought by the collective of the three generations of the family including the grown Pilar (Bibeth Orteza). Here we face some realities and confronts our own judgments and even our own evils. The characters turn into a redeeming stage which leaves you your own judgment and conclusion.
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| Cast of Tanghalang Ateneo's Dolorosa |
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