Six Bold Stories, One Unforgettable Night: Shorts and Briefs by Night Returns

Taboo. Sexy. And just a little unexpected. The country’s most daring festival of short plays is back, bringing six provocative pieces in a single ticketed experience. Shorts & Briefs by Night once again champions first-time playwrights, new directors, and fresh talent, promising an evening of surprises for adventurous theatergoers.

Here’s a peek at the sizzling lineup:

 

1. The Red Hotel

Cast: Khaye Paje, Warden Malaya
Writer: Aeriel Madriaga (Miss A) | Director: Rye Capulong
A Christian woman who’s never had a boyfriend finds herself in a setup planned by friends—meeting a stranger meant to seduce her. But as sparks fly, the night takes an unexpected turn.

2. Ang Babae at ang Mangga
Cast: Mika O’Hara, Cullen Landicho
Writer: John Custer | Director: Tads Obach-Acosta
A playful encounter unfolds between a woman and a mango that isn’t quite what it seems.

 

3. Josefino at ang Estatwa
Cast: Rozel Basilio, Kiko Mariano
Writer: Francis Panes | Director: Ingrid Joyce
An artist sculpts a statue as beautiful as the Blessed Virgin. When he longs for it to come alive, a mysterious miracle—or delusion—begins.

4. SH*T!
Cast: Philip Macabantad, Quiel Campo
Writer: Jeremi Flores | Director: Phillip Bracero Palmo
Bondage, role play, and family secrets collide as Louis and Fino return home to a revelation about their son—dancing through passion, trauma, and unexpected love.

 

5. Warla Arena

Cast: Salmo Nella, Kriszan Manipon, JB
Director: Tom Navarro | Musical Arrangement: Vanessa Dulay
A wife confronts a robot accused of stealing her husband’s affection in a no-holds-barred talk show showdown.

 
6. Reklamasyon Headquarters
Cast: Monique Louise Maglaqui, Jonnel Empinado, Sidrey Omer A. Apita
Writer: Lewor Sotis | Director: Mark Norman Boquiren
In a place where complaints become revolution, two ordinary people rise up to demand the respect they deserve.

Admission is strictly for audiences 18 years old and above. A single ticket priced at PHP 750 grants access to all six plays and includes a complimentary drink. Shows run from September 20 to October 5, 2025, with performances at 2:00 PM and 7:30 PM at Cafe Shylō in Pasig. To secure your seat, reservations are accepted exclusively via Viber at 0919 487 3983.

Experience a night of fearless storytelling and fresh artistry—because sometimes the shortest plays leave the deepest impression.

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Newport World Resorts gives Bagets' Gilbert

Newport World Resorts has officially revealed the first members of the barkada for its highly anticipated stage musical Bagets, inspired by the iconic 1984 teen film. Taking on the role of Gilbert—the shy but mischievous heart of the ‘80s clique originally played by Herbert Bautista—are two exciting young talents who promise to bring their own spark to the character.

Tomas Rodriguez, a rising name in the P-pop scene, will make his theater debut as Gilbert. Known as a member of the chart-topping boy group Alamat, Tomas has wowed fans nationwide with his smooth vocals and dynamic dance skills. Alamat’s distinct blend of modern pop and proudly Filipino flair has taken them to major music festivals and TV appearances, making Tomas a natural fit for the energy and nostalgia of Bagets.

 

 

Tomas shares his process in auditioning for the role.

Sharing the role is Noel Comia Jr., a multi-talented actor and singer whose credentials span both stage and screen. Noel is no stranger to theater, having earned critical acclaim for performances in productions such as The Lion, the Witch and the Wardrobe, Matilda, and The Secret Garden. His versatility and powerhouse vocals have also made him a fixture in concerts and musicals across the country, ensuring that his take on Gilbert will be heartfelt and memorable.

Ticket prices will be announced soon. For updates on show schedules and exclusive previews, follow Newport World Resorts on their official social media channels. This fresh, music-filled revival of Bagets is set to bring back the vibrant spirit of the ‘80s—don’t miss your chance to relive the era with a whole new generation of stars coming this 2026.

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Theater Review: PETA’s “Walang Aray”

I was invited to the special press preview of PETA’s Walang Aray, a musical based on Severino Reyes’ classic zarzuela Walang Sugat. While rooted in tradition, the show uses humor and updated punch lines inspired by today’s headlines, making it lively, entertaining, and easy for younger audiences to relate to.

The cast of PETA's "Walang Aray" 2025

The cast delivered performances that made the story fresh and engaging. Trans actress Lance Reblando gave a breakout performance as Julia. She not only showed powerful vocals but also an emotional depth that made her character unforgettable. Her ability to shift from comedic timing to heartfelt moments was impressive, and it’s the kind of stage presence that earns genuine standing ovations.

Lance Reblado as Julia and Gio Gahol as Tenyong

Gio Gahol, who is no stranger to the role of Tenyong, once again proved why he fits the part so well. His familiarity with the character allowed him to bring ease, confidence, and natural charm to the stage. As the leading man, he remains a strong presence to watch out for, balancing humor and sincerity in his delivery.

Jolina Magdangal, in her first musical theater role as Juana, proved she can hold her own on stage. She owned every scene she was in and showed great promise. Similarly, Ice Seguerra’s take on Lucas was heartfelt and engaging, reminding the audience of his strength as both singer and actor. It was clear both Jolina and Ice brought their personal stamp to their characters, making them stand out despite limited spotlight.

The rest of the ensemble also gave strong support: Kiki Baento (Monica), Johnnie Moran (Padre Alfaro), Bene Manaois (Miguel), and Gie Onida (Don Tadeo) each brought humor and energy that made the show fun from start to finish.

Ensemble

Fans can now also enjoy Walang Aray beyond the theater with the official cast recording, now streaming on Spotify. Produced in partnership with Soundesign Manila, the album features songs by Vince Lim such as “Front Act,” “Pangako ’Yan,” “Huwag Mo Akong Saktan,” “Tipo Kong Lalaki,” “Luv U 4 Ever,” “Walang Aray Finale,” and the newly released “Tumindig at Lumaban” with “Bayan Ko.” It’s a fun way to relive the show and sing along with the cast anytime.

Overall, Walang Aray proves how a classic can be retold in a way that feels both timeless and modern. With Lance Reblando’s powerhouse performance, Gio Gahol’s confident leading man turn, and the delightful presence of Jolina Magdangal and Ice Seguerra, the show is both entertaining and meaningful—a must-watch on the PETA stage.

Walang Aray runs until October 12, 2025, at the PETA Theater. For more show information, follow PETA’s social media pages: @petatheater. Tickets are available via ticket2me.net.

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The Sandbox Collective opens its 2026 slate with SPRING AWAKENING

Spring Awakening marks the first show under Sab Jose-Gregorio’s leadership

The Sandbox Collective will open its 2026 Season with the Tony Award-winning rock musical, SPRING AWAKENING. The musical is set to open in February 2026 at a brand new theater: The Black Box at The Proscenium Theater, Rockwell Center, Makati City.

Winner of eight Tony Awards, including Best Musical, with book and lyrics by Steven Sater and music by Grammy Award-nominated recording artist Duncan Sheik, SPRING AWAKENING is a contemporary rock musical based on the Frank Wedekind play of the same name.

Set in 19th-century Germany, it tells the stories of teenagers exploring their burgeoning sexualities and rapidly-changing bodies. But seeking answers to the mysteries of life proves challenging in the face of uncommunicative parents, rigid institutions, and conservative society. Set to an electrifying alternative rock score by Duncan Sheik and Steven Sater, Spring Awakening channels its characters' adolescent frustrations and repressions into the angst and power of being a young person in the 21st century.

SPRING AWAKENING explores the journey from adolescence to adulthood with a poignancy and passion that is illuminating and unforgettable. The landmark musical is an electrifying fusion of morality, sexuality and rock and roll that has captivated audiences all over the world.

With direction by Gawad Buhay nominee Andrei Nikolai Pamintuan (The Sandbox Collective’s Lungs, Sa Wakas, Fringe Manila) and musical direction by the multi-awarded Ejay Yatco (The Sandbox Collective’s Side Show, Next to Normal, Little Shop of Horrors), SPRING AWAKENING marks The Sandbox Collective’s first production under the leadership of incoming artistic director, Sab Jose, who hopes to stir conversation, empower audiences and drive the company’s education and advocacy initiatives.

With Pamintuan at the helm, the artistic team will also include Nunoy Van Den Burgh as choreographer, Missy Maramara as intimacy director, Wika Nadera as set designer, Raven Ong as costume designer, Gabbi Campomanes as assistant director, and D Cortezano as lighting designer.

Jose shares, “Spring Awakening marks the beginning of a new chapter here at Sandbox. While it honors the journey we’ve had in the last decade – the coming of age and constant rediscovery – it also marks a deliberate choice to continue producing shows that are radical, brave and advocacy-driven. This show isn’t just about adolescence and sexuality. It’s about reclaiming one’s body, voice and destiny and most of all, educating and empowering young audiences.”

OPEN CALL
The Sandbox Collective will hold open auditions for SPRING AWAKENING on August 31 and September 1, 2025. Interested applicants may access the audition guide and registration page here: https://www.thesandboxco.com/spring-2026

SPRING AWAKENING is presented through special arrangement with Music Theatre International (MTI), New York, NY, USA.

For more information, follow The Sandbox Collective on Facebook, Twitter and Tiktok. You may visit our website www.thesandboxco.com and social media platforms: www.facebook.com/TheSandboxCollective, www.instagram.com/thesandboxco, www.tiktok.com/@thesandboxco

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Theater Review: FEU Theater Guild’s "Karne"

I had the chance to watch FEU Theater Guild’s Karne, their powerful interpretation of Roald Dahl’s Lamb to the Slaughter, and I’m still in awe of this production.

Director Dudz Teraña with the cast of FTG's "Karne"

From the moment you step into the theater, you’re transported into a barrio home preparing for Christmas. A glowing capiz parol, twinkling lights on the fence, and a modest Christmas tree instantly set the mood. Before the show even begins, Mary (Julia Nicole Banaag) is already onstage, quietly observing the audience as they trickle in. Then, almost without notice, she moves to the working kitchen and starts chopping garlic and onions, blurring the line between performance and reality.

An actual working kitchen on set!

It isn’t just what you see that pulls you in. Soon, the savory aroma of garlic and onions sizzling in butter fills the theater. This sensory detail is unexpected but brilliant; it awakens your appetite and curiosity about what’s about to unfold. Later, the media and select audience members were even able to taste the adobo cooked onstage, making the experience not just theatrical but communal and deeply Filipino.

The play follows Mary, reeling from the sudden murder of her husband, Police Captain Patrick Patrosa (RB Pascua), a domineering military man whose pride and temper cast long shadows over their marriage. Three policemen—Lieutenant Elnar (Arvin Javier), Patrolman Enopia (Justin Abalos), and Patrolman Credo (Kirstan Orbegoso)—interrogate her, but their investigation also unravels layers of gossip and judgment from Mary’s circle of friends: Dante (Jharelle Villalobos), Ellen (Maria Ysabel Delos Reyes), and Maloi (Bjorn Pestaño). Their conversations, written in a mix of Tagalog, Bisaya, and English, capture the rhythm of everyday Filipino chismis. Instead of creating barriers, the shifting languages enrich the story and make it more authentic.

Patrick is written as the man you “love to hate.” Pascua’s sharp delivery, commanding presence, and toxic pride heighten the tension each time he enters the scene. In contrast, Banaag’s Mary radiates meekness and quiet warmth, especially when she is with her spirited friends. Their lively banter, along with the playful teasing of Estang (Helena Li), provides much-needed lightness against the play’s darker undercurrents. Samuel (Julian Anabo) and Mrs. Poblacion (Cassandra Herilla) also add depth to the social fabric of the story, showing how gossip, loyalty, and perception shape community life.

The world of Patrick’s military life also comes into focus, with clever nods to law enforcement culture and practices in the late 1970s. This period setting adds depth, inviting the audience to reflect on authority, control, and the lingering echoes of that era in today’s systems. During the post-show talkback, the creative choice to set the play in this decade became even clearer through the music, costumes, and cultural touchpoints woven seamlessly into the production.

A standout achievement is the set itself: a fully functional kitchen ingeniously built from recycled materials in the FTG warehouse. This sustainable approach shows resourcefulness without sacrificing realism. Under the guidance of director Dudz Teraña, the students were able to grasp the nuances of the time period, the metaphors of Dahl’s story, and the cultural resonances of their adaptation.

Me with the cast of FTG's Karne

Karne is a testament to the FEU Theater Guild’s creativity, discipline, and collaborative spirit. That such an ambitious, multi-sensory, and thought-provoking play was staged by a cast and crew composed mostly of students makes the production even more remarkable. It is both a triumph for the Guild and an inspiring reminder of how young theater artists can breathe new life into classic stories. To build on this momentum, Teraña has revealed that the next FTG season production will be Lord of the Flies, another bold choice that promises to challenge both performers and audiences.

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Meet the Full Cast of The Bodyguard The Musical – Manila

The global smash hit The Bodyguard The Musical has landed in Manila, bringing with it powerhouse voices, world-class dancers, and an ensemble of seasoned stage actors ready to breathe new life into the iconic love story. Based on the 1992 film starring Whitney Houston and Kevin Costner, the musical features Houston’s greatest hits—including “I Will Always Love You” and “Run to You”—performed by a stellar cast that merges Filipino artistry with international talent.

The Leading Man: Matt Blaker as Frank Farmer

Fresh from London’s West End, Matt Blaker takes center stage as Frank Farmer, the role made famous by Kevin Costner in the film. Blaker has graced some of the world’s biggest productions including The Phantom of the Opera, Chicago, Jersey Boys, and Cabaret. With his commanding presence and international stage experience, he brings the perfect blend of grit and charisma to the former Secret Service agent turned bodyguard.

Of course, Frank Farmer’s story is intertwined with superstar Rachel Marron, portrayed in Manila by none other than Christine Allado, a Filipina West End actress whose stellar career includes Hamilton and other acclaimed productions. Together, Blaker and Allado anchor the show with undeniable star power.

The Filipino Powerhouses
Supporting the leads is a powerhouse Filipino cast. Theater veterans like Lorenz Martinez, known for his impeccable comic timing and soaring tenor, and Vien King, an award-winning leading man hailed for his roles in Passion and Liwanag Sa Dilim, add gravitas to the production. Songstress Radha, best remembered as part of the groundbreaking music group Kulay and for her unforgettable run on The Voice of the Philippines, returns to the stage to showcase her powerhouse vocals. Meanwhile, Sheena Palad, an Aliw Award-winning gospel singer, continues to prove why she is one of the most versatile artists of her generation.

 

 

Lorenz Martinez, Vien King, Radha, Sheena Palad

Rising stars also take their place in the spotlight—CJ Navato, who grew up in front of Filipino audiences as part of Goin’ Bulilit; Giani Sarita, the model-actor-singer making waves on the international scene; and Jasmine Fitzgerald, who has impressed both local and overseas audiences with her vocal prowess. Their mix of youthful energy and fresh artistry gives this production an electrifying edge.

  
CJ Navato, Giani Sarita, Jasmine Fitzgerald

Dance, Drama, and Dynamism
Beyond the leads, The Bodyguard The Musical – Manila boasts an ensemble of accomplished dancers and multi-disciplinary performers. Names like Natalie Duque, Alex Aure, and Carmelle “Ching” Ros bring years of professional dance training to the stage, while Winchester Lopez and Julio Laforteza—both with impressive international credits—add world-class polish to the choreography. Richardson Yadao, a two-time Gawad Buhay Awardee and respected choreographer, lends his artistry to elevate the production’s movement vocabulary.

  

Natalie Duque, Alex Aure, Carmelle Ros

  

Winchester Lopez, Julio Laforteza, Richardson Yadao

Other standouts include Iya Villanueva, Paji Arceo, Jasper John Jimenez, Fay Castro, Elian Santos, and Joven Uy, each of whom brings unique strengths from theater, film, and music. The diverse background of this ensemble ensures that every number bursts with energy, precision, and heart.

  

Iya Villanueva, Paji Arceo, Jasper John Jimenez

  

Fay Castro, Elian Santos, John Joven Uy

Special Comebacks and Guest Stars
This Manila run also marks the theater comebacks of beloved personalities. Eventologist Tim Yap returns to the stage after more than 20 years, bringing his signature flair to the production. Acclaimed choreographer and Galaw.Co founder PJ Rebullida also rejoins the musical theater world, adding depth with his extensive dance background. Completing the star lineup is Lani Ligot, whose vocal prowess has graced everything from Rak of Aegis to international productions.

  

Tim Yap, PJ Rebullida, Lani Ligot

A Truly World-Class Cast
With a blend of celebrated Filipino talent and international excellence, The Bodyguard The Musical – Manila is set to be one of the most exciting theatrical events of the year. From powerhouse vocals to breathtaking choreography, this all-star cast promises a production that honors Whitney Houston’s legacy while showcasing the strength and artistry of the Philippine stage.

This is not just a musical—it’s a cultural moment. Manila, get ready to fall in love again with The Bodyguard.

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SIDE SHOW: THE MUSICAL Announces Final One-Day-Only Extension!

The Sandbox Collective adds two more shows, must close on August 24

Due to insistent public demand, The Sandbox Collective has just announced Side Show: The Musical’s FINAL EXTENSION on August 24, 2025 with two shows – 3:00 PM and 7:30 PM.

The afternoon show will include Krystal Kane, Molly Langley, CJ Navato, Tim Pavino, and Joshua Cabiladas, while the evening show will include Tanya Manalang, Marynor Madamesila, Reb Atadero, Vien King, and Marvin Ong. 

The company will include Jon Santos, Arion Sanchez, Fay Castro, Daniel Wesley, Ian Hermogenes, Mikee Baskiñas, Pamela Imperial, Pappel, Raflesia Bravo, Red Nuestro, Reine Paisley, and Rhap Salazar.

Tickets to the final extension is now available online through ticket2me.net/sandboxsideshow and through the contact details below:

August 24, 3 PM
0925 306 5083

August 24, 7:30 PM
0917 854 4934
0907 564 0028
0917 619 2678

Side Show: The Musical is Toff de Venecia’s final directorial stint before his hiatus.

Side Show: The Musical is a fictional depiction of the life and times of real-life conjoined twins Daisy and Violet Hilton who found fame and notoriety in the vaudeville circuit in 1920 and 1930s. The story discusses themes of love, sisterhood, and fame amid the social stigma of being different.

SIDE SHOW: THE MUSICAL is running at the Power Mac Center Spotlight Black Box Theater, Circuit Makati. Tickets are available at ticket2me.net/sandboxsideshow. Follow @thesandboxco on Instagram for more information.

SIDE SHOW: THE MUSICAL is licensed through Concord Theatricals.

For more information, follow The Sandbox Collective on Facebook, Twitter and Tiktok. You may visit our website www.thesandboxco.com and our social media platforms below:
www.facebook.com/TheSandboxCollective
www.instagram.com/thesandboxco
www.tiktok.com/@thesandboxco

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Karne: A Darkly Delicious Feast from FEU Theater Guild’s 91st Season

A darkly delicious twist on Roald Dahl’s classic, staged with Filipino classics: laughter and Adobo

This year, the Far Eastern University Theater Guild (FTG) is serving something bold, flavorful, and impossible to forget. Now on its 91st season, FTG presents Karne—an interactive dark comedy written and directed by Dudz Teraña, Senior Artist-Teacher of the Philippine Educational Theater Association (PETA) and FTG’s artistic director.

Step into the aromatic, simmering home of a 1980s Filipino couple, where every look hides a secret, every silence is heavy, and the kitchen’s simmering pots hold more than just stew. Karne invites you to pull up a chair to a feast where humor, tension, and mystery blend in perfect, if unsettling, harmony.

A Filipino Twist on a Classic
Inspired by Roald Dahl’s Lamb to the Slaughter, Karne moves the action to Lubotan, Zamboanguita, Negros Oriental in 1980, infusing the story with the textures, rhythms, and flavors of rural Filipino life. It’s absurd yet sincere, light yet laced with dread—a genre-bending mix of comedy, mystery, and intimate social commentary.

Full cast

Seamlessly blending Bisaya, Tagalog, and English, the play creates a living, breathing household you can almost smell and hear. “This play holds up a mirror to the lived realities of an individual, grounding itself in raw humanness,” says director Dudz Teraña. “It offers a more layered and flavorful approach to staging—bold in form, grounded in truth, and unapologetically relevant. Karne is not just something to look forward to; it’s an experience that lingers.”

What’s Cooking?
At the heart of the story is Mary and Police Captain Patrick Patrosa, a seemingly ordinary couple whose quiet evening at home begins to unravel—turning a simple dinner into a tangled reflection on love, expectations, and the fragile connections holding their lives and their community together.

Mary is portrayed by Maria Mayano (IAS’26), with Julia Nicole Ramas (FIT’26) and Janae Dionisio (IAS’28) alternating the role. Patrick is brought to life by RB Pascua (IAS’25), Aaron Bayani (IAS’25), and Arvin Javier (IAS’28).

The couple is joined by a colorful ensemble of friends, neighbors, and colleagues:
Dante – Jonas Cunanan (IAS’25), Renz Dotillos (IAS’26), Jharelle Villalobos (IAS’27)
Ellen – Dianne Andallo (IAS’26), Maria Ysabelle Delos Reyes (IAS’27)
Maloi – Bjorn Pestaño (IAS’26), Margarita Barrameda (IAS’26), Sheila Peralta (IABF’26)
Police Lt. Elnar – Arvin Javier (IAS’28), Shawn Tarala (IAS’27)
Patrolman Enopia – Kristian Samson (IAS’26), Justin Abalos (IAS’28)
Patrolman Credo – Dave Bambang (IARFA’29), Kirstan Orbegoso (IAS’27)
Mrs. Poblacion – Cassandra Herilla (IAS’27), Irish Oliveros (IAS’28), Trisha Tan (IAS’28)
Estong/Estang – Lorenze Moral (IAS’26), Nash Desonyo (FIT’28), Heleina Li (IAS’26)
Samuel, the market vendor – Julian Anabo (IAS’26), Migi Mesina (IAS’27)

Show Dates & Venue:
📍 FEU Center for the Arts Studio

Performance Schedule
September: 11–13, 18–20, 25–27
October: 2–4, 9–11, 16–18, 23–25, 30
November: 6–8
House Opens – 6:00 PM | Show Starts – 6:30 PM

Ticket Prices
₱200 – Students from outside FEU Manila
₱500 – Regular Guests
₱700 – VIP

Connect with FEU Theater Guild
Facebook: Far Eastern University Theater Guild
Instagram & TikTok: @feutheaterguildofficial
Twitter/X: @ftg1934

Whether you come for the laughs, the suspense, or the rich slice of 1980s Filipino life, Karne promises a meal—and a memory—you’ll carry long after the curtain falls.

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2TinCans Philippines and Marco Polo Plaza Cebu bring Love, Loss, and What I Wore to the stage

Clothes are never just clothes. They carry our memories, mark our milestones, and often speak when words fall short.

2TinCans Philippines, Cebu’s premier theatre communications company, and Marco Polo Plaza Cebu bring the power of storytelling to life with a heartfelt production of Love, Loss, and What I Wore, happening at 8 PM on August 16 and 17 at the Grand Ballroom of Marco Polo Plaza Hotel, Nivel Hills, Apas, Cebu City.

Written by sisters Nora and Delia Ephron, and based on the book by Ilene Beckerman, Love, Loss, and What I Wore is a heartwarming and hilarious collection of monologues and ensemble pieces about women, clothes, and memory. The play uses clothing and accessories as a time capsule of a woman’s life — from prom dresses and purses to shoes and wedding gowns. Told through the voices of a rotating cast of women, the stories explore poignant and humorous moments tied to identity, relationships, heartbreak, family, and self-discovery.

Directed by Charlene Virlouvet, this Cebu staging features members of the 2TinCans Theatre Company—Liana San Diego, Mikee Amagsila, Regina Binueza, Shanice Kae Suarez, Shifrah Bouchikhi-Enclona, and Vanessa Fe.

Also joining the cast are 2TinCans Producing Artistic Director Sarah Mae Enclona- Henderson; language school directress Aleah Alerre Lim; award-winning journalist Andi Pateña-Matheu; multi-awarded social entrepreneur Anya Lim; beauty queen and singer-songwriter Victoria Leslie Ingram; and lawyer -- Elaine Bathan, College of Law Asst.

Dean and former Undersecretary of the Department of Tourism; retired lawyer Gingging Navarro-Laude, and; public servant, social media personality, and LGBTQIA+ champion Regal Oliva.

“Every woman has a dress that reminds her of something—her first love, her mother, her divorce, her power. This play gives voice to those hidden hangers in our closets,” said Henderson.

Director Virlouvet described the play as a timely reflection on the generational experiences of women. “This play can bridge the disconnect amongst generations of women. It can be a space for intergenerational conversations and sharing,” she shared.

Marco Polo Plaza Cebu General Manager Maximilian Schwalbe emphasized the hotel’s growing engagement with the local community. “We want to host more cultural and social events like this for Cebuanos,” he said. Schwalbe also noted that ticket holders will enjoy special perks, including discounted room rates and dining privileges at all Marco Polo restaurants from August 15 to 18.

Complementing the performance is Stitched, a storytelling exhibit featuring a curated collection of clothes and accessories, each accompanied by a personal story that reveals its deeper meaning. “The goal is to show that fashion is more than just fabric; it’s a vessel for memory,” said Henderson.

In a world that’s constantly changing, Love, Loss, and What I Wore invites us to pause and remember who we are, where we've been, and how far we've come. Get your tickets at 2tincans-philippines.yapsody.com now!

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