Theater Review: The Bodyguard The Musical

The timeless hits of Whitney Houston find a fresh spotlight in 9 Works Theatrical’s The Bodyguard The Musical, now playing at the Proscenium Theater in Rockwell, Makati City. For those who grew up with Whitney’s powerful songs, this is more than just a stage production. It is a vibrant, reimagined experience that pays homage to an era while speaking to today’s world.

Christine Allado and Matt Blaker in 9WT's The Bodyguard The Musical

While the original 1992 film is remembered more for its star power than its plot, this adaptation sharpens the story’s edges and updates it with smart, contemporary touches. Modern-day elements like social media, virality, and omnipresent CCTV surveillance are woven seamlessly into the narrative, making the tension more immediate and relatable. It is a thoughtful modernization that does not just retell a classic but reinvents it.

The thrill begins the moment Christine Allado steps on stage as Rachel Marron, opening with a high-octane performance of “Queen of the Night.” Surrounded by stellar backup singers and dancers, Allado commands the stage with a mix of vocal power and star presence. Arnold Trinidad’s jazzy, energetic choreography elevates the spectacle, while her stunning costume changes underscore her status as the ultimate diva of her time.

Christine Allado as Rachel Marron

Matt Blaker brings warmth and wit to the role of Frank Farmer. His portrayal finds the sweet spot between stoic protector and charming lead, with the karaoke bar scene emerging as one of the crowd favorites. While comparisons to Kevin Costner are inevitable, Blaker makes the role entirely his own. He is playful, engaging, and unexpectedly funny.

Matt Blaker as Frank Farmer

A standout of the night is Sheena Palad as Nicki, Rachel’s sister. Her voice soars with emotion in “All at Once,” "Saving All for Love For You" and “Run To You” giving her character a compelling emotional arc that adds depth to the love triangle. Palad’s performance is magnetic and shows that this is not just Rachel’s story but Nicki’s too.

Sheena Palad as Nicki Marron

The production design is a technical triumph. Mio Infante’s scenography transforms the Proscenium stage with seamless precision. Clever use of LED screens, projections, and layered panels creates visual depth and fluid scene transitions. The modern multimedia treatment enhances the show’s contemporary tone without losing its classic soul. You can hardly notice the movement of set pieces, and that is the kind of theatrical magic 9 Works Theatrical consistently delivers.

Equally unforgettable is Vien King’s first major villain role as the stalker. His transformation from matinee idol charm to dangerous menace is both surprising and riveting, marking one of the night’s standout character turns.

Vien King as the Stalker

The ensemble and supporting cast bring the production to life with high energy, vocal strength, and precise execution. Every number feels big and alive, sustaining momentum from start to finish.

In a brief conversation with Director Robbie Guevara and Artistic Director Raul Montesa, I suggested an exciting idea: flashing the lyrics somewhere onstage to encourage the audience to sing along. For a musical built on Whitney Houston’s greatest hits, it is a move that could turn the theater into one big, joyful concert moment.

With its clever modernization, powerhouse performances, and breathtaking technical execution, The Bodyguard The Musical by 9 Works Theatrical is a must-see. It is a dazzling celebration of music, memory, and spectacle that proves Whitney’s legacy remains just as electrifying today as it was in 1992.

The show runs until October 19, 2025. Get your tickets at tinyurl.com/TheBodyguardAtRockwell.

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Andres Muhlach continues the legacy of Adie in Bagets The Musical

The young Muhlach takes on his father’s iconic role for Bagets The Musical.

Bagets The Musical is coming full circle as a new Muhlach steps into the spotlight. Four decades after Aga Muhlach charmed audiences as Adie in the 1984 coming-of-age hit, his son Andres Muhlach will take on the same role in the 2026 stage adaptation. Fresh from his film debut in Minamahal: 100 Bulaklak Para Kay Luna, Andres joins the new-generation Bagets barkada, alternating performances with Mico Hendrix Chua. With this final cast reveal, fans are all set to relive the iconic magic, friendships, and first-love thrills that made Bagets a cultural phenomenon.

For Andres, stepping into Adie’s shoes is both an honor and a deeply personal moment. “I understand how big Bagets was, and still is, in the Philippines,” he says. “It’s such a huge part of many Filipino childhoods. To be part of it, let alone play my dad’s role, feels surreal.” His father couldn’t be prouder. “When we first found out that I got his breakthrough role, he was super happy for me,” Andres shares. “He’s excited to see how I’ll bring my own take to the character.”

 

This project also marks Andres’ first major foray into theater. While nerves were high, rigorous workshops and rehearsals helped him embrace the challenge. “It’s really about honing your talents,” he says. “Once you start learning more about yourself and your abilities, it just makes you more motivated—to perform, improve, and keep getting better.”

Though comparisons are inevitable, Andres is determined to make the role his own. “I’d want this to be my own path,” he explains. “At the end of the day, the hard work is on us, the new Bagets cast. What we put out isn’t because of what the original actors did, but because we want to create something worthy for today’s fans.”

The young actor came prepared for the role, training extensively and auditioning with a surprise vocal performance. “Ever since I was little, I dreamed of seeing myself on the silver screen and on stage,” he shares. “Now it’s happening. I just feel blessed.” Andres has already appeared in TV series like Ang Mutya ng Section E and Da Pers Family, but Bagets The Musical gives him the chance to showcase a more mature, layered side of his artistry.

“Playing Adie now is a completely new experience,” he reflects. “He’s still the charismatic, charming boy-next-door, but this time, his story feels more grounded—especially because of his love interest.” For Andres, the show’s heart lies in friendship and growing up together. “Atasha and I studied abroad, but I enjoyed my time here more because I was with my best friends. Nothing beats being close to the people who made student life bearable. That’s really at the heart of Bagets The Musical.”

Bagets The Musical will run from January 23 to March 2026 at the Newport Performing Arts Theater. Joining Andres in the lead cast are Noel Comia Jr. and Tomas Rodriguez as Gilbert, Milo Cruz and Migo Valid as Tonton, Ethan David and KD Estrada as Arnel, Jeff Moses and Sam Shoaf as Topee, and Mico Hendrix Chua as Adie.

The musical is produced by VIVA Communications Inc., The Philippine STAR, and Newport World Resorts, with creative direction from Philippine Educational Theater Association Plus. It is helmed by Maribel Legarda, with script by J-mee Katanyag and music by Vince Lim. The production is supported by Sun Life Philippines.

For updates, follow VIVA Communications Inc. (@vivaartistsagency), The Philippine STAR (@philippinestar), and Newport World Resorts (@newportworldresorts) on Facebook, Instagram, and TikTok. Sign up for the waitlist now via newportworldresorts.com/bagets-musical-waitlist to be the first in line for tickets.

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Catch the Topee Fever with Jeff Moses and Sam Shoaf

The barkada gets a major boost of cool with Topee—the martial arts ace and athletic heartthrob of Bagets. First brought to life by J.C. Bonnin in the 1984 film, Topee now makes his much-awaited stage debut in Bagets The Musical. Taking on the role are two rising stars—Jeff Moses and Sam Shoaf—who are ready to charm audiences and capture the thrill of teenage discovery all over again.

Sam Shoaf, JC Bonnin and Jeff Moses

Embodying Topee’s Hiligaynon roots with Jeff Moses

For Jeff Moses, portraying Topee is more than just stepping into a beloved character—it’s also about honoring shared roots. Born and raised in Negros Occidental, Moses deeply relates to Topee’s longing for home.

 

“Puli ‘ta Bacolod. Madalas ‘yung sinasabi niya sa nanay niya (Let’s go home to Bacolod. That’s what he often tells his mother),” Moses shares. “Ako ramdam ko ‘yung bigat no’n kasi tuwing holidays na lang din ako nakakauwi sa’min (I can really feel the weight of that because I only get to go home during the holidays).”

Since signing with GMA Sparkle Artist Center, Moses has steadily built a name in film and television. He earned Best Actor at the 1st Puregold CinePanalo Film Festival for Under a Piaya Moon, and appeared in hit shows like Abot Kamay na Pangarap and Magpakailanman. In 2023, he was named Outstanding Youth of the Philippines at the Philippine Outstanding Men & Women Awards.

“Topee is kind, mature, and treats his friends like family,” he reflects. “But deep inside, he carries a hidden vulnerability.”

That complexity is exactly what Moses hopes audiences will connect with. “Even if life pushes us to grow up fast, I want people to realize that being young at heart never really goes away. We can still feel joy or sadness as purely as we did when we were kids.”

For the 24-year-old actor, Bagets The Musical marks his first theater experience—a challenge he’s both nervous and excited about. “On stage, there are no take twos. Everything is raw and live. That’s what makes it so powerful.”

 
Finding Topee in Sam Shoaf
While Jeff Moses finds Topee in his roots, Sam Shoaf finds him in his spark. A self-confessed fan of the ’80s, Shoaf has long been fascinated by the era’s music, fashion, and energy.

“Everything was just full of life back then,” he says. “When I first watched Bagets, that’s what I saw in Topee, too.”

 

Shoaf imagines that if Topee were around today, he’d be a fitness-loving, TikTok-savvy guy who never missed out on fun. Like Topee, Shoaf also loves martial arts—something he showcased in his role in Ang Mutya ng Section E.

“I see a lot of myself in Topee,” he explains. “We’re both active, but we also tend to keep certain parts of our lives private.”

For Shoaf, this emotional complexity is at the core of the musical. “Bagets The Musical is really about us. Different timelines, different circumstances, but the same story of growing up, figuring things out, and learning who we are.”

Shoaf first captured audiences as a contestant on The Voice Kids Philippines and later on Your Face Sounds Familiar. Now, he’s ready to bring that mix of music, energy, and heart to the stage.
A timeless coming-of-age story

Through Jeff Moses and Sam Shoaf, Topee returns as both a fighter and a dreamer, embodying the highs and lows of adolescence. Together with their castmates, they’ll bring to life the messy, thrilling, and unforgettable ride of growing up—proof that the magic of youth never truly disappears, it just evolves.

Bagets The Musical runs from January 23 to March 2026 at the Newport Performing Arts Theater. Joining Moses and Shoaf are Noel Comia Jr. and Tomas Rodriguez as Gilbert, Milo Cruz and Migo Valid as Tonton, and Ethan David and KD Estrada as Arnel.

The musical is a joint production of VIVA Communications Inc., The Philippine STAR, and Newport World Resorts, in collaboration with the Philippine Educational Theater Association (PETA) Plus. It is directed by Maribel Legarda, written by J-mee Katanyag, and scored by musical director Vince Lim, with the support of Sun Life Philippines.

Stay updated by following VIVA Communications Inc. (@vivaartistsagency), The Philippine STAR (@philippinestar), and Newport World Resorts (@newportworldresorts) on Facebook, Instagram, and TikTok.

Sign up for the ticket waitlist now via Newport World Resorts.

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Rockwell’s Proscenium Theater Builds on its Opening with Two New Shows

Starting September 26, Rockwell’s Proscenium Theater opened with the premiere of The Bodyguard The Musical, staged by 9 Works Theatrical. With its compelling story, music, and choreography, the production gives theatergoers a reason to experience the newly opened venue, where it continues to run until October. Praised by the press as a stellar production with an outstanding cast, it’s a show worth catching—or even revisiting—while it’s on stage.

And Rockwell shows no signs of slowing down. In just the span of three to four months, the Proscenium Theater will banner not one, but three major productions—starting with The Bodyguard and soon followed by two more grand shows. With such a robust lineup in its opening quarter, Rockwell makes clear its vision to keep the year alive with culture and performance, positioning the theater as a vibrant destination for artistry and entertainment.

With its state-of-the-art design and world-class acoustics, the Proscenium Theater provides the ideal stage for some of the Philippines’ most celebrated talents. From the grandeur of its architecture to the intimacy of its performances, the theater stands as both a cultural landmark and a home for Filipino excellence.

The Maestro Takes the Stage
On November 14 and 15, 2025, Rockwell’s Proscenium Theater will proudly present its first concert - the MaestroClass Concert Series by National Artist for Music Ryan Cayabyab.

A pillar in Philippine music, Cayabyab has been part of Rockwell’s journey—gracing its events and stages through the years. Now, he makes his debut at the newly opened Proscenium Theater, leading the launch of a series where each concert promises a distinct theme and musical experience. With exciting guest performers to watch out for, this opening night sets the tone for an exhilarating season ahead. Expect a remarkable start as Cayabyab harnesses the theater’s world-class acoustics and Steinway pianos to celebrate Filipino artistry at its finest.

A Rockwell Holiday Tradition Comes Alive
For years, Rockwell Center has stood as a beacon of Christmas cheer with its iconic tree lighting, signature lights, and holiday décor that exudes warmth and creates moments of togetherness that define the season. Beyond being a place to shop and dine, Rockwell has become a true holiday destination.

This December, Rockwell and 9 Works Theatrical proudly present the beloved hit musical A Christmas Carol, directed by Robbie Guevara with music by Alan Menken, lyrics by Lynn Ahrens, and book by Mike Ockrent and Lynn Ahrens. A spectacular Broadway adaptation of Charles Dickens’ classic, the production tells the timeless story of Ebenezer Scrooge and his ghostly encounters on Christmas Eve. With themes of redemption, family, and generosity, the show captures the holiday spirit at the heart of Rockwell’s traditions.

Running from November to December 2025, A Christmas Carol will mark the Proscenium Theater’s third major show of the year, capping off an excitement-filled season of performances. Perfectly complementing Rockwell’s legacy of making Christmas a cherished experience for all, this timeless classic promises to bring the magic of the holidays to life on the Proscenium stage.

The Curtain Rises on What’s Next

As The Bodyguard continues to light up the stage, Rockwell looks ahead with two more landmark

productions that will define its inaugural season. With MaestroClass and A Christmas Carol

rounding out the year, the Proscenium Theater affirms its place as a new home for Filipino artistry,

global-quality productions, and shared cultural moments. More than just a venue, it stands as

Rockwell’s promise to keep the community inspired, entertained, and connected—season after

season.

Stay tuned for more information on MaestroClass and A Christmas Carol this 2025 by following

@prosceniumtheater on Instagram and Facebook. The curtain has risen, and Rockwell is just

getting started.

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Meet Arnel, the Original Conyo Boy of Bagets The Musical

The barkada of Bagets The Musical just got bigger—and a little more polished. The spotlight now falls on Arnel, the suave teen first portrayed by Raymond Lauchengco in the 1984 classic. Torn between his own dreams and his mother’s high expectations, Arnel returns to the stage for a new generation, this time brought to life by Ethan David and KD Estrada.

Ethan David Steps Into the Role
Known for his work with the P-pop group G.A.T. and TV credits like Seducing Drake Palma, Ang Mutya ng Section E, and Avenues of the Diamond, Ethan David is no stranger to performing. Yet theater presents a fresh challenge.

“I did theater abroad, but since coming home, I’ve focused more on screen work,” he shares. “On TV, subtle expressions can work. On stage, I have to make my movements bigger and project my voice for the audience.”

 

Rather than shy away, Ethan leans in—training his voice, building stamina, and channeling Arnel’s loyalty to his friends. “Arnel’s always all-out for his barkada,” he says. “I want the audience to feel that energy and see he’s there for them, whether in big gestures or small ones.”

Like his character, Ethan knows what it’s like to wrestle with big choices. “Despite his flaws, I hope the audience sees how he musters up courage and motivates others to do the same,” he adds.

KD Estrada Finds His Match
For KD Estrada, stepping into Arnel’s shoes feels almost effortless. “When I auditioned, my number one pick was Arnel because I see myself in him,” he says. “If he were real right now, he would be exactly like me.”

KD admires Arnel’s quiet strength—fun but responsible, never one to give in to peer pressure. “In the film, you can always see his hesitance,” he notes. “He doesn’t just do things because they’re ‘in.’”

 

That self-awareness comes with a cost, something KD understands. “I’m grateful to have a strong support system at home,” he shares. “But we all go through that phase where we don’t know whether to follow our own dreams or what other people want for us.”

This marks KD’s second theater outing after his debut in Walang Aray with Alexa Ilacad. He’s also appeared in series such as Unloving You, Bola Bola, Run to Me, and Pira-pirasong Paraiso. His biggest takeaway from playing Arnel? “The friends you make in high school are some of the best friends you’ll ever have.”

A Timeless Coming-of-Age Story
Arnel’s journey proves that the struggles of growing up—finding courage, balancing expectations, and staying true to yourself—never really fade. With Ethan David and KD Estrada sharing the role, his story is set to resonate with both longtime fans and first-time viewers.

Bagets The Musical runs January 23 to March 2026 at the Newport Performing Arts Theater, with more cast reveals coming soon. Joining David and Estrada are Noel Comia Jr. and Tomas Rodriguez as Gilbert, and Milo Cruz and Migo Valid as Tonton.

Produced by VIVA Communications Inc., The Philippine STAR, and Newport World Resorts, and guided by the creative team of PETA Plus—director Maribel Legarda, playwright J-mee Katanyag, and musical director Vince Lim—this new staging promises to capture the heart and nostalgia of the original film.

Be first in line for tickets by joining the waitlist at newportworldresorts.com/bagets-musical-waitlist, and follow @vivaartistsagency, @philippinestar, and @newportworldresorts on Facebook, Instagram, and TikTok for the latest updates.

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Theater Review: PETA’s “Walang Aray”

I was invited to the special press preview of PETA’s Walang Aray, a musical based on Severino Reyes’ classic zarzuela Walang Sugat. While rooted in tradition, the show uses humor and updated punch lines inspired by today’s headlines, making it lively, entertaining, and easy for younger audiences to relate to.

The cast of PETA's "Walang Aray" 2025

The cast delivered performances that made the story fresh and engaging. Trans actress Lance Reblando gave a breakout performance as Julia. She not only showed powerful vocals but also an emotional depth that made her character unforgettable. Her ability to shift from comedic timing to heartfelt moments was impressive, and it’s the kind of stage presence that earns genuine standing ovations.

Lance Reblado as Julia and Gio Gahol as Tenyong

Gio Gahol, who is no stranger to the role of Tenyong, once again proved why he fits the part so well. His familiarity with the character allowed him to bring ease, confidence, and natural charm to the stage. As the leading man, he remains a strong presence to watch out for, balancing humor and sincerity in his delivery.

Jolina Magdangal, in her first musical theater role as Juana, proved she can hold her own on stage. She owned every scene she was in and showed great promise. Similarly, Ice Seguerra’s take on Lucas was heartfelt and engaging, reminding the audience of his strength as both singer and actor. It was clear both Jolina and Ice brought their personal stamp to their characters, making them stand out despite limited spotlight.

The rest of the ensemble also gave strong support: Kiki Baento (Monica), Johnnie Moran (Padre Alfaro), Bene Manaois (Miguel), and Gie Onida (Don Tadeo) each brought humor and energy that made the show fun from start to finish.

Ensemble

Fans can now also enjoy Walang Aray beyond the theater with the official cast recording, now streaming on Spotify. Produced in partnership with Soundesign Manila, the album features songs by Vince Lim such as “Front Act,” “Pangako ’Yan,” “Huwag Mo Akong Saktan,” “Tipo Kong Lalaki,” “Luv U 4 Ever,” “Walang Aray Finale,” and the newly released “Tumindig at Lumaban” with “Bayan Ko.” It’s a fun way to relive the show and sing along with the cast anytime.

Overall, Walang Aray proves how a classic can be retold in a way that feels both timeless and modern. With Lance Reblando’s powerhouse performance, Gio Gahol’s confident leading man turn, and the delightful presence of Jolina Magdangal and Ice Seguerra, the show is both entertaining and meaningful—a must-watch on the PETA stage.

Walang Aray runs until October 12, 2025, at the PETA Theater. For more show information, follow PETA’s social media pages: @petatheater. Tickets are available via ticket2me.net.

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