CreaZion Studios brings A24’s sci-fi horror film ‘BACKROOMS’ to Philippine cinemas

The global phenomenon that captivated a generation, BACKROOMS is coming to the Philippines on June 3, 2026. CreaZion Studios has revealed its release date, an eerie first official poster, and a pulse-pounding teaser.

Produced by genre powerhouse A24 with Chernin Entertainment, Atomic Monster, and 21 Laps, the highly-anticipated science fiction-horror film is the directorial debut of prodigy Kane Parsons, the 20-year-old YouTuber who turned the viral legend into a cinematic nightmare. See the teaser trailer below.

Parsons’ web series about secret backrooms garnered nearly 100 million views. The Creepypasta-inspired horror has also been adapted into numerous video games, including on the platforms Steam and Roblox.

Academy Award nominees Chiwetel Ejiofor (12 Years a Slave, Doctor Strange in the Multiverse of Madness) and Renate Reinsve (Sentimental Value, The Worst Person In The World) star in the movie, alongside Mark Duplass (The Morning Show), Finn Bennett (A Knight of the Seven Kingdoms), Lukita Maxwell (Shrinking), Avan Jogia (Zombieland: Double Tap), Chelah Horsdal (Hell on Wheels), and Toby Hargrave (Superman & Lois).

In the teaser, a strange doorway appears in the basement of a furniture showroom, plunging the viewer into a world where time slips and space shifts. The first poster for the film, meanwhile, features a familiar yellowish wallpaper.

#KwentoMoTo: Bringing Human Stories & Experiences

BACKROOMS is the latest highly-anticipated international film that CreaZion Studios is bringing to the Philippines, as part of its #KwentoMoTo mission to make “Human Stories and Human Experiences” accessible to Filipino and Southeast Asian audiences.

“As a major player in film distribution in the Southeast Asia (SEA) region, CreaZion Studios finds purpose and meaning in giving SEA audiences the opportunity to experience well-crafted films, in the best possible way — in cinemas,” said RJ San Agustin, President, CEO & Co-Founder of CreaZion Studios.

“Nothing compares to the experience of watching a film on the big screen, particularly works distinguished by excellence in writing, performance, cinematography, and overall execution. BACKROOMS marks the beginning of CreaZion Studios’ slate of international titles for exclusive distribution in the Philippines and across Southeast Asia, and we look forward to unveiling more of our forthcoming releases under our banner, #KwentoMoTo.”

Last year, CreaZion Studios successfully brought to the domestic and SEA markets the critically-acclaimed filmmaker Park Chan Wook’s No Other Choice and A24 fantasy adventure film The Legend of Ochi; and in 2024, the award-winning body horror film The Substance.

For more updates, follow CreaZion Studios on Facebook, Instagram, TikTok, X, and YouTube and visit creazionstudios.com. Join the conversation online with hashtag #BackroomsPH.

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LOVE, MARINA: An Iconic Celebration of Filipino Fashion in Print and on the Runway

Far Eastern University (FEU), in partnership with Tesoros, presents a special book talk and fashion presentation for LOVE, MARINA on Tuesday, March 3, 2026 at 4:30 PM at Tesoros Makati.

Written by Vicky Veloso-Barrera and edited by Thelma San Juan, LOVE, MARINA is a lovingly curated coffee table book that pays homage to pioneering designer Marina Reyes Antonio.

Marina Reyes Antonio

The book honors Marina’s impeccable sense of style, meticulous attention to detail, and ingenious innovations that shaped generations of women’s fashion. Both a visual inspiration and a practical guidebook, it captures treasured memories from family, friends, and clients, weaving together personal recollections with archival images that celebrate a remarkable design legacy.

The event highlights a book talk offering deeper insights into Marina’s life, work, and enduring influence on Filipino fashion.

Complementing the conversation is a fashion presentation featuring creations from four generations of designers whose work reflects the evolution of Filipiniana and couture craftsmanship.

Marina Reyes Antonio, who began her career in the 1930s, belonged to a pioneering generation of women designers. Her love of Filipiniana was expressed through masterful construction, delicate hand-rolled floral embellishments, and fine hand painting—hallmarks of her timeless elegance.

Malu Veloso brings romance and femininity to life through lace, embroidery, and intricate beadwork. Her collections feature both pastel and vibrant hues, expressed in classic silhouettes and figure-flattering styles that embody grace and refinement.

Letlet Veloso introduces bold imagination to formal wear. Known for her adventurous use of embellishment, eye-catching colors, and edgier interpretations of Filipiniana, she creates silhouettes that reflect contemporary sophistication while honoring heritage.

Representing the fourth generation, Hannah Barrera explores the sculptural possibilities of haute couture. Drawing inspiration from the innovative classicism of great European designers, she crafts couture pieces distinguished by structure, artistry, and a unique modern signature.

This invitation-only event celebrates intergenerational artistry, heritage, and the enduring power of Filipino design.

LOVE, MARINA is available for purchase through TAMS Bookstore at TamsBookstore@feu.edu.ph and at Tesoros 1016, A. Arnaiz Avenue, Makati City. 

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Likhang Mateo: A Homegrown Visual Exhibit Brings San Mateo’s Art Scene to Life at SM City San Mateo

Shoppers at SM City San Mateo marvel at wood sculpture "Mariang Kalikasan" by artist Marciano Pagkatipunan at Likhang Mateo exhibit

In celebration of National Arts Month, SM City San Mateo opens its doors to Likhang Mateo: A Homegrown Visual Exhibit, an all-out visual arts showcase organized by the local tourism office of the Municipality of San Mateo. The exhibit is aligned with the National Commission for Culture and the Arts’ (National Commission for Culture and the Arts) 2026 theme, “Ani ng Sining: Katotohanan at Giting,” celebrating artistic truth, courage, and creative identity rooted in the community.

An artistic rendition of "Tumba-Tumba" by artist Aguilardo Pagkatipunan

"Amore De Madre" by artist Marie Claire

3D printed sculptures made of resin and FDM-acrylic by Jenevic Carino

Every art piece at Likhang Mateo exhibit is a conversation starter

Featuring works by veteran and emerging artists who are proudly from San Mateo, the exhibit highlights narratives inspired by local culture, lived experiences, and the town’s evolving creative landscape. As mallgoers gala around the most loved mall, they are invited to engage with meaningful artworks seamlessly woven into their everyday mall experience. By hosting initiatives like Likhang Mateo, SM City San Mateo continues to strengthen its role as a hub for community gatherings—providing a welcoming space where culture, creativity, and daily life intersect, and making local artistry accessible to families, students, and casual mallgoers alike—all thoughtfully staged all for you.

Mayor Bartolome Rivera (center) graces the Likhang Mateo exhibit opening featuring the works of the veteran and emerging artists who all hail from San Mateo, Rizal

The exhibit opening was graced by San Mateo Mayor Bartolome Rivera, alongside Municipal Administrator Jose Enrique P. Desiderio and other town officials. They were welcomed by SM City San Mateo Assistant Mall Manager Sigfred Tatom and Khristine Lenon, underscoring the shared commitment of the local government and SM Supermalls to bring arts and culture closer to the community.

Everyone is invited to gala, explore, and support local talent by visiting Likhang Mateo: A Homegrown Visual Exhibit at the 2nd Level Activity Area of SM City San Mateo until February 26. Experience an all-out celebration of homegrown creativity—right at your most-loved mall.

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GCash launches in-app beginner's guide to introduce crypto to everyday Filipinos

Through creative storytelling and accessibility, GCash makes cryptocurrency easier to understand for beginner investors

Interest in cryptocurrency continues to grow among Filipinos, with 96% showing awareness and over half expressing intent to invest within the year, according to a 2025 Consensys survey. Despite this high curiosity, many remain cautious and unsure where to begin.

To help everyday Filipinos take their first confident step into the world of crypto, finance super app GCash launches “A Beginner’s Guide to Cryptocurrency”, a free and exclusive in-app introduction to cryptocurrency, written and illustrated by Luis Buenaventura, Head of GCrypto. Buenaventura, a Filipino crypto author, artist, and entrepreneur, is widely recognized as a pioneer in the local and global crypto scene.

The Filipino-focused, narrative-style guide breaks down complex concepts like Bitcoin, wallets, and volatility through familiar and practical examples like inflation and daily budgeting, making the topic more approachable for crypto newbies.

“Storytelling makes learning personal and relatable. By grounding financial concepts into everyday examples, we aim to make complex topics like crypto approachable for anyone,” said Buenaventura.

Crypto: From Making Sense to Making Moves

Divided into eight chapters, the guide takes users through the fundamentals of crypto in a practical, easy- to-follow format that reflects the real financial experiences of Filipinos. It starts with why cryptocurrency was developed–tracing its roots to real-world economic challenges, particularly inflation and its impact on people’s savings and purchasing power. From there, it walks readers through Bitcoin's rise and volatility.

“Understanding why crypto matters is the first step to learning how to use it wisely,” Buenaventura noted.

“By helping them understand the balance of ‘high risk, high reward,’ we aim to set realistic expectations before they dive into actual investing.”

Once readers have a grasp of cryptocurrency, the book guides them towards taking their first careful step into investing. It emphasizes the importance of building traditional savings, maintaining diversified investments, and treating crypto as a complement—not a replacement—to other financial foundations.

The succeeding chapters explore the tools and mindsets needed to invest responsibly. It explains wallet apps, satoshis, and trading basics, and introduces other cryptocurrencies beyond Bitcoin, such as Ethereum, Solana, stablecoins, and high-volatility memecoins.

It also dives into the mindset behind investing, tackling topics like moments of doubt, the importance of discipline, and the value of long-term thinking. Ultimately, it brings the conversation back to purpose that crypto should serve real-life goals, helping Filipinos fund dreams, support their families, and celebrate financial progress responsibly.

“Our goal is to educate Filipinos on the responsible use of cryptocurrency, enabling them to take confident, informed steps into the future of finance,” Buenaventura added.

Crypto na Gets Mo

Accessible with just a few taps, “A Beginner’s Guide to Cryptocurrency” is now available through GCrypto, a secure marketplace within the GCash app where users can buy, sell, and learn about crypto safely.

“By publishing the book directly on the GCrypto platform, users can learn and explore at their own pace within a secure environment. This helps Filipinos build confidence and make informed decisions as they navigate the world of crypto,” said Buenaventura.

With streamlined registration, low minimum investment options, and a curated selection of reputable coins reviewed by security experts, GCrypto aims to make cryptocurrency more accessible and less intimidating for Filipino users.

Users can register and begin trading with just their fully verified GCash account, with no separate onboarding required. With investment entry points starting at just ₱200, GCrypto lowers the barrier for participation in the digital economy.

The platform also offers a carefully curated portfolio of trusted cryptocurrencies, helping users make informed choices among reputable coins vetted for security and reliability. It also supports seamless conversion between pesos and crypto, as well as blockchain transactions for sending and receiving funds, all within the GCash app.

Users can access the book by opening the GCash app, tapping ‘Grow,’ and selecting GCrypto.

Ready to take your first step into crypto? Download the GCash App on the Apple App Store, Google Play Store, or Huawei App Gallery. Kaya mo, i-GCash mo!

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A Legend Reborn: National Artists’ Rock Opera Ballet “Tales of the Manuvu” Returns to the Stage this 2026

Alice Reyes Dance Philippines (ARDP), in collaboration with the University of the Philippines, the National Commission for Culture and the Arts, and the Cultural Center of the Philippines, with the generous support of the Office of Senator Pia Cayetano, is proud to announce the 2026 restaging of Tales of the Manuvu. Premiered in 1977, this production is the first Filipino rock opera ballet, masterfully weaving indigenous mythology with the vibrant energy of rock and pop music.

The 2026 season begins with performances at the University Theater, UP Diliman, on February 27–28, followed by a strictly limited run at the Proscenium Theater in Rockwell, Makati, on March 28–29.

A Historic Artistic Collaboration
This masterpiece was born from the creative synergy of legendary Filipino artists. National Artist Alice Reyes provided the visionary direction and choreography, while National Artist Bienvenido Lumbera penned the libretto. Crucial to its iconic sound was the music composed by OPM icon Dero Pedero, with additional music by the rock band Afterbirth. The original production also featured stars of the Philippine theater and music scene, including Boy Camara, Anthony Castelo, Haji Alejandro, Celeste Legaspi, and the debut of newfound talent, Leah Navarro.

Reflecting on the production’s origins, National Artist Alice Reyes notes:

“In 1976, Bien Lumbera and I were both delighted by E. Arsenio Manuel's folk tales... We agreed that the tales could be rich material for a rock-opera ballet, a dance concept still in its nascent state in the Philippines. We opened on February 25, 1977, to a packed house in the CCP and never looked back.

Forty-nine years later—and almost to the day—Tales of the Manuvu makes a strong comeback... Although dance is about change and movement, ARDP puts value and currency in proven works. It continues to foster a collaborative environment for Filipino artists—all in a mission to keep dance as an art form that provokes, excites, and engages the national spirit and consciousness.”

The 2026 Restaging
The 2026 production is restaged by ARDP Ballet Master Lester Reguindin. This iteration features new set and costume designs by award-winning director and designer Loy Arcenas, and lighting design by Barbara Tan-Tiongco.

A Stellar Cast of Voices and Movement
The production features a powerhouse ensemble of singers and dancers, continuing the tradition of featuring live vocalists and a rock band alongside technical brilliance. With a rotating cast, the production offers a unique experience at every performance.

 

 

Audiences are invited to catch the different artistic interpretations of both the singers and dancers.

The Singers:

• Manama / First Man: Portrayed by Gawad Buhay awardee Joshua Cadeliña, alternating with versatile theater artist Adonis Villanueva.
• Ogassi: Brought to life by international a cappella sensation Almond Bolante, sharing the role with distinguished baritone Greg De Leon.
• First Woman: Featuring rising stars Christy Lagapa, alternating with Toni Carm Santos.

The Dancers:

• Manama: John Ababon, alternating with Renzen Arboleda.
• Ogassi: Earl John Arisola, sharing the role with seasoned choreographer and dance artist Erl Sorilla.
• First Man: Renzen Arboleda and James Galarpe.
• First Woman: Krislynne Buri and Francine Beltran

Supporting Artists and the Community

All proceeds from ticket sales will cover production expenses and provide essential financial support to ARDP dancers, musicians, and the artists involved in bringing this epic production to life. By purchasing tickets, patrons directly contribute to sustaining the legacy of Filipino dance and supporting the livelihoods of dedicated performing artists.

Performance, Cast Schedule & Ticketing

To ensure the arts remain accessible, the UP Diliman leg of the tour offers free admission on a first-come, first-served basis.

Admission is FREE with a required pre-registration via Eventbrite: https://www.eventbrite.com/e/tales-of-the-manuvu-tickets-1982415778960

Following its UP performances—made possible by a creative grant from UP President Angelo Jimenez— the production moves to the Proscenium Theater in Makati for a strictly limited run on March 28–29.

A Fundraising Gala will be held on March 28 (7:30 PM) in which your Gala ticket is a direct investment in the future of ARDP, providing vital support for our dancers and the preservation of the works of National Artists like Alice Reyes and Agnes Locsin.

• Orchestra Center: 5,000
• Orchestra Side: 4,000
• Dress Circle: 2,500

For Fundraising Gala Tickets, contact Joey Trinidad: ticketingofficer@ardp.ph | +63 945 664 1010.

March 29 – Regular Performances

● Matinee (2:00 PM):

• Orchestra Center (2,500)
• Orchestra Side (1,800)
• Dress Circle (1,800)

● Evening (6:00 PM):

• Orchestra Center (3,000)
• Orchestra Side (2,000)
• Dress Circle (2,000)

Early Bird Offer: 10% OFF for a limited time.
Discounts: PWD (20%), Senior Citizen (20%), and Student (50%) discounts apply.

Join the Priority List today to secure early access and the best available seats. Click here to reserve https://bit.ly/4rJIznA

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A Closer Look at The Manila Hotel Guest Experience

The Manila Hotel, the Grand Dame of the Philippines, continues to set the standard for luxury by blending its storied past with thoughtful, modern comforts—offering guests an experience that is memorable, welcoming, and distinctly special.

A New Layer of Elegance

In its commitment to preserving timeless elegance, The Manila Hotel has unveiled new carpeting throughout the Main Building. The refreshed look complements the hotel’s classic aesthetic while creating plush, revitalized ambiance. The result is a softer, more inviting atmosphere, one that makes every walk through the halls and into the guest rooms feel relaxed and unhurried.

A Stay That Comes Fully Stocked

Luxury at The Manila Hotel is felt in the little details. Guests booking the best available rate (BAR) directly in the website or via hotel reservations officers will find a fully stocked complimentary mini bar in their room, replenished daily. This simple yet indulgent touch turns every stay into a personal retreat, setting the tone for a visit that feels like home.

Special Discount for In-House Guests

True to its legacy of hospitality, all checked-in guests enjoy 20% off across most of the hotel’s celebrated dining outlets and The Manila Hotel Spa. From the refined elegance of the Champagne Room and the traditional Chinese flavors of Red Jade, to the renowned buffet at Café Ilang-Ilang, as well as relaxed moments at the Lobby Lounge, Tap Room, and Pool Bar, guests can savor every dining experience at added value. The same discount extends to the Spa, where guests can escape the city’s hustle and unwind in tranquility.

Stress-Free Daily Transfers

Understanding that Metro Manila’s vibrancy also lies beyond its grand doors, the hotel offers complimentary daily scheduled transfers to SM Mall of Asia and Robinson’s Place Manila, providing access for those seeking retail, entertainment, or a leisurely day out.

Culinary Fun for Junior Guests

For families, the hotel continues to be a haven for shared experiences. Every Sunday, Café Ilang-Ilang comes alive as a playful kitchen for little chefs. Children aged 5 to 12 can join the complimentary Kiddie Culinary classes, where they can try their hand at pizza making or cupcake decorating guided by the hotel’s skilled chefs. This delightful experience is available to junior guests who avail the Sunday lunch buffet at Café Ilang-Ilang, ensuring fun for the kids while parents savor the feast.

“At The Manila Hotel, we aim to provide more than just a room, we offer a legacy of service and a gateway to the best of Filipino hospitality. We invite our guests to fully immerse themselves in the luxury, comfort, and thoughtful touches that make their stay with us unforgettable,” shares Marvin Kim Tan, vice president for sales and marketing of The Manila Hotel.

For inquiries and reservations, please call +632 8527 0011 or +632 85301 5500, email info@themanilahotel.com, or visit www.manila-hotel.com.ph.

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FEU Theater Guild presents "BANGAW" beginning March 5

An adventurous reimagination of William Golding’s Lord of the Flies set amidst the isolation of an island of freedom and fear.

In its 92nd season, the Far Eastern University Theater Guild (FTG) presents BANGAW, a Filipino play with music adapted from William Golding’s classic story, Lord of the Flies. Written by Gold Villar-Lim, with music by Vince Lim, and directed by PETA Senior Artist-Teacher and FTG Artistic Director Dudz Teraña, the production explores the meaning of survival through a distinctly Filipino lens.

Bangaw is a bold theatrical experience that follows a group of students forced into isolation as they navigate authority and belonging within a fragile, self-made community. Rooted in contemporary cultural and political realities, the production interrogates leadership and identity in a society shaped by the consequences of the present. Through an ensemble-driven performance, the play becomes a reflection on what it means to inherit a fractured world—and the responsibility that comes with shaping what follows.

Layered with original music by Gold Villar-Lim, with two additional songs by Dudz Teraña, Bangaw blends symbolic movement and raw emotional expression with rhythmic, realistic storytelling. Traditional and modern Filipino soundscapes pulse throughout the production, serving as both atmosphere and metaphor for a nation caught between collapse and renewal. Beyond performance, the work confronts pressing societal concerns—division, abuse of power, systemic failure, moral decay, and patriarchy—while foregrounding enduring Filipino values such as bayanihan, resilience, and strategic intelligence, resulting in a multi-layered theatrical experience that challenges perspectives, provokes dialogue, and invites audiences to reflect on the kind of future being shaped today.

What’s Bugging Us?
Set on a remote island in Visayas, Bangaw follows a group of high school students from different schools who end up stranded after a plane crash. With no adults, no government, and no rules, their attempt to reconstruct order quickly unravels. What begins as a mission of survival is disrupted by a growing fascination with hunting and the belief that a monster lurks in the forest. The group fractures further after a boar is killed and its head transformed into an idol—the Lord of the Flies. A hallucination is mistaken as proof of the monster’s existence, sparking a killing frenzy that claims two lives and brings their fragile civilization to brutal collapse.

At the center of Bangaw is Raf (Sam Siasoyco IAS ‘29), whose attempt to uphold order becomes a fragile anchor amid growing unrest. Opposing him is Jack (Aldin Covarrubias ITHM ‘28, Dave Bambang IARFA ‘29), whose descent into dominance and violence drives the group apart.

Caught between reason and survival are the twins Sam (Dianne Andallo ITHM ‘26, Trisha Nilayan IAS ‘29) and Erich (Maria Ysabel delos Reyes IAS ‘27, Althea Sibulo FIT ‘27), while Simone (Heleina Li IAS ‘26, Julia Nicole Ramas FIT ‘26) emerges as a quiet moral compass. Adding complexity is Tabeks (Jharelle Villalobos IAS ‘27, Edrud Madalan FIT ‘27), who challenges rigid hierarchies, while the younger children—Tiny (Marjorie Uson IAS ‘27, Francine Galvez IAS ‘28), Matty (Melenne Hokase IAS ‘28, Margarita Barrameda IAS ‘26), and Caleb (Julian Rafael Anabo IAS ‘27, Lorenze Moral IAS ‘26)—align with Raf, embodying innocence and vulnerability amid chaos.

Supporting Jack are Apple (Janae Dionisio IAS ‘28, Ayessa Raymundo IAS ‘28), Pat (Bjorn Pestaño IAS ‘26, Charlene Libo-on IAS ‘28), Phil (Zoe Sisam IAS ‘29, Shekinah Resurreccion FIT ‘27), Robert (Justin Abalos IAS ‘28, Renz Dotillos IAS ‘26), Morris (Kevin Ricaforte IAS ‘28, Miguel Galpo IAS ‘28), and Roger (Shawn Tarala IAS ‘27, Kirstan Orbegoso IAS ‘27), forming a choir-like faction that amplifies tension.

 
The ensemble is rounded out by Marc Ducut IAS ‘27, Kristian Samson IAS ‘26, Johann Umali IAS ‘29, John Andrei Cruz IAS ‘29, and Cris Jay Cabides IAS ‘29. Hovering over the narrative is the haunting Panginoong Bangaw, while the Piloto will be alternately portrayed by Aldin Covarrubias and Dave Bambang. Parachutists serve as distant echoes of the adult world left behind.

Bangaw promises a gripping theatrical experience that merges powerful storytelling, music, and movement to challenge perspectives, provoke dialogue, and immerse audiences in a uniquely Filipino exploration of survival, morality, and the consequences of human choices.

BANGAW will run at the FEU Center for the Arts Studio on the following dates:
March: 5, 6, 7, 12, 13, 14, 19, 20, 21, 26, 27, 28
April: 9, 10, 11, 16, 17, 18, 23, 24, 25

The house will open at 6 PM and the show will start at 6:30 PM.

Ticket Prices:
₱100 – Students from FEU (all branches)
₱200 – Students from outside FEU Manila
₱500 – Regular Guests
₱700 – VIP

Connect via: Facebook: Far Eastern University Theater Guild
Instagram & TikTok: @feutheaterguildofficial
Twitter/X: @ftg1934

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