In collaboration with Eastern Communications and Tunog at Liwanag sa Teatro Inc. (TLT), Teatro Meron presents Ang Medea, National Artist Rolando Tinio’s Filipino adaptation of Euripides’ classic tragedy Medea. The production marks a bold fusion of intellect, artistry, and human emotion, bridging myth and modern reflection.
Following a well-received run with Tanghalang Ateneo, director and Teatro Meron founder Ron Capinding returns to the piece, leading a strong ensemble headed by Miren Alvarez-Fabregas, who earned critical acclaim for her portrayal of the vengeful Medea.
Explaining his decision to revisit the material, Capinding reflects, “There’s so much to learn from a classic like Medea. Some plays reflect the present, others uncover the past, and a few imagine what’s to come. A true classic can do all of that—and even more.”
In this retelling, Ang Medea confronts the fragility of human dignity and the devastating choices it can inspire. The story centers on Medea, a woman who gives up her homeland for Yason, only to be betrayed and cast out in a foreign land that never truly accepted her. Her struggle contrasts sharply with Yason’s belief that dignity can be traded for power, privilege, and ambition.
Opposite Alvarez-Fabregas is Brian Sy, a seasoned actor recognized for his work in Ang Duyan ng Magiting (2023), GomBurZa (2023), and Midnight in a Perfect World (2020). Alternating in the role of Yason is Yan Yuzon, who previously played the same part to praise for his intensity and emotional range—from blistering fury to aching remorse.
Following a well-received run with Tanghalang Ateneo, director and Teatro Meron founder Ron Capinding returns to the piece, leading a strong ensemble headed by Miren Alvarez-Fabregas, who earned critical acclaim for her portrayal of the vengeful Medea.
Explaining his decision to revisit the material, Capinding reflects, “There’s so much to learn from a classic like Medea. Some plays reflect the present, others uncover the past, and a few imagine what’s to come. A true classic can do all of that—and even more.”
In this retelling, Ang Medea confronts the fragility of human dignity and the devastating choices it can inspire. The story centers on Medea, a woman who gives up her homeland for Yason, only to be betrayed and cast out in a foreign land that never truly accepted her. Her struggle contrasts sharply with Yason’s belief that dignity can be traded for power, privilege, and ambition.
Opposite Alvarez-Fabregas is Brian Sy, a seasoned actor recognized for his work in Ang Duyan ng Magiting (2023), GomBurZa (2023), and Midnight in a Perfect World (2020). Alternating in the role of Yason is Yan Yuzon, who previously played the same part to praise for his intensity and emotional range—from blistering fury to aching remorse.
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| Cast led by Miren Alvarez-Fabregas |
Ang Medea will run at the Mind Museum Special Exhibition Hall, Bonifacio Global City (BGC) on these dates:
• November 13, 14, 20, 21, 27, 28 | 8:00 PM
• November 15, 22 | 3:00 PM and 8:00 PM
• November 16, 23 | 3:00 PM and 7:00 PM
A rising force in Philippine theater, Teatro Meron aims to rekindle the relevance of classical works— sparking thought, empathy, and conversation among modern Filipino audiences.
Capinding elaborates on his company’s vision:
“I want to stage not only great classics, but also modern and contemporary plays that share their timeless spirit—pieces that entertain, enlighten, and uplift. In Filipino, nakaaaliw, nakatatalino, at nakapagpapabuti.”
The production also features Teroy Guzman (Kreon), Joseph Dela Cruz (Egeo), Katski Flores (Yaya), Joel Macaventa (Maestro), and Gold Soon and Pickles Leonidas (Koro).
Behind the scenes, Tata Tuviera designs the set, Ian Bautista handles lighting, and Zak Capinding crafts the soundscape. Gabrielle Barredo leads production management, with Mar Suesmith as stage manager, Albriz Bagsic as technical director, and Santi Caruncho providing graphic design.
Tickets are available at https://tinyurl.com/angmedea.
For updates, visit www.teatromeron.com or follow @teatromeron on Facebook and Instagram.
• November 13, 14, 20, 21, 27, 28 | 8:00 PM
• November 15, 22 | 3:00 PM and 8:00 PM
• November 16, 23 | 3:00 PM and 7:00 PM
A rising force in Philippine theater, Teatro Meron aims to rekindle the relevance of classical works— sparking thought, empathy, and conversation among modern Filipino audiences.
Capinding elaborates on his company’s vision:
“I want to stage not only great classics, but also modern and contemporary plays that share their timeless spirit—pieces that entertain, enlighten, and uplift. In Filipino, nakaaaliw, nakatatalino, at nakapagpapabuti.”
The production also features Teroy Guzman (Kreon), Joseph Dela Cruz (Egeo), Katski Flores (Yaya), Joel Macaventa (Maestro), and Gold Soon and Pickles Leonidas (Koro).
Behind the scenes, Tata Tuviera designs the set, Ian Bautista handles lighting, and Zak Capinding crafts the soundscape. Gabrielle Barredo leads production management, with Mar Suesmith as stage manager, Albriz Bagsic as technical director, and Santi Caruncho providing graphic design.
Tickets are available at https://tinyurl.com/angmedea.
For updates, visit www.teatromeron.com or follow @teatromeron on Facebook and Instagram.
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