Into The Woods, this year's one of the most anticipated movies, is proud to be the mind child of Rob Marshall adapting it to movies through Walt Disney Pictures. Experience the magic worldwide on Christmas Day and January 28 in Philippine cinemas distributed by Columbia Pictures.
A sit down meeting with Stephen Sondheim and Sondheim finds it appropriate to have Into The Woods to be put into cinemas. Rob Marshall and producing partner, John Deluca, have been fans of Sondheim's musical since it opened on Broadway in 1987. He says to describe it, “The story seamlessly intertwines Sondheim’s emotional, funny and brilliant score with Lapine’s intricate and masterful book, which is a modern twist on several beloved fairy tales, and is entertaining, while examining complex themes like the consequences of wishes, the parent/child relationship, greed, ambition, loss, and, perhaps most importantly, unconditional love and the power of the human spirit.”
Then in 2011, on the 10th anniversary of the 9/11 attacks, Marshall heard President Obama addressing the families of the victims. In an effort to console them, Obama said, “You are not alone...No one is alone.” The phrase “No One is Alone,” which is also one of the most moving and memorable songs from “Into the Woods,” struck a chord with Marshall, and in that moment he knew that the time was finally right to bring the beloved musical to the screen.
“In many ways, I think ‘Into the Woods’ is a fairy tale for the 21st century post 9/11 generation,” Marshall says. “Sondheim and Lapine were way ahead of their time when they wrote it. The comforting knowledge that we are not alone in this unstable world gives us all that glimmer of hope.”
For Sondheim, “’No One Is Alone’” was written as a community song. “I believe Arthur Wing Pinero said that in writing a play, you tell the audience what you’re going to do, you do it and then you tell them that you’ve done it. If you tell them that you’ve done it, then it makes a package,” he says.
“’No One Is Alone’ tells them that we’ve done it,” Sondheim explains. “This is what the show has been about. No one is alone: we are all connected in some way and we are all responsible for each other’s actions. It’s something I believe firmly and it’s something that’s worth writing about.”
Marshall and DeLuca took their passion project to Disney, and immediately knew they had found the perfect company to bring the stage musical to life. “We were thrilled that the company embraced the project the way that they did,” says Marshall. “They were truly interested in expanding the definition of what a ‘modern fairy tale’ film could be.”
Producer Marc Platt, who joined the duo in making the film, says, “Disney is a company that historically tells the classic fairy tales, so moving forward it should also be the company that finds new, contemporary and unexpected ways to tell these stories.”
So after 27 years, the long-awaited classic was set to begin its journey forward. “The Woods of our story is universal, and can mean so many things,” Marshall says. “It is the place you go to find your dreams, confront your fears, lose yourself, find yourself, grow up and learn to move forward. It’s all part of life. So ‘Into the Woods’ we go, again and again...”
“Into the Woods” is a modern twist on the beloved Brothers Grimm fairy tales, intertwining the plots of a few choice stories and exploring the consequences of the characters’ wishes and quests. This humorous and heartfelt musical follows the classic tales of Cinderella (Anna Kendrick), Little Red Riding Hood (Lilla Crawford), Jack and the Beanstalk (Daniel Huttlestone), and Rapunzel (MacKenzie Mauzy)—all tied together by an original story involving a baker and his wife (James Corden & Emily Blunt), their wish to begin a family and their interaction with the witch (Meryl Streep) who has put a curse on them.
The principal cast is led by Meryl Streep, Emily Blunt, James Corden, Anna Kendrick, Chris Pine and Johnny Depp. See the trailer here:
Cherie Gil plays the middle-aged matriarch Enriquetta Jardeleza-Sofronio, coming from an aristocratic family in Negros Occidental, who is forced to fly back from Madrid to sell her family estate to pay off for the huge family debts. The Jardeleza’s throw party after lavish party, reminiscing their opulent past amidst their depleting wealth.
Arbol de Fuego opens on February 20, 2015 with shows from Fridays to Sundays, 3:00pm and 8:00pm at the PETA Theater Center, No. 5 Eymard Drive, New Manila, Quezon City. For more information, contact PETA at 725 6244 or 0917 5765400 or email at petatheater@gmail.com.
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