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A recent No. 1 box-office hit in the U.S., “Takers” also stars Matt Dillon, Jay Hernandez and Hayden Christensen.
In the film, a group of young criminals bankroll their extravagant lifestyle with a series of painstakingly planned bank robberies while a dedicated police officer makes it his personal mission to stop them. After years of meticulously planned heists, the crew is convinced by one of their own to risk it all for one last big score, but pulling off the job of a lifetime with a dogged detective and a vicious rival gang on their tail is a tall order, even for these seasoned pros.
For Chris Brown, “Takers” was a chance to break away from his image as a musical artist who sometimes acts. “This role is different from any of the others I’ve played,” he says. “The earlier movies played to my strengths, which is cool, but it’s also good to be able to use your other abilities.”
The film marks producer Will Packer’s third project with Brown, who was only 19 when the film was shot. “I may not be able to krump like he can, but nobody produces a Chris Brown movie like me,” laughs Packer. “He was in his element in the first two films. In “Stomp the Yard,” he was a kid who was part of a dance crew, which was like breathing for Chris. In “This Christmas,” he was a kid who could sing, which is also not much of a stretch. He dances, runs, jumps, plays basketball. Anything athletic, this kid can do and with boundless energy.”
Which made him perfect, in Packer’s view, for the action genre. “He gets an opportunity to really showcase another side of his talent in this film,” says the producer. “He’s jumping from moving cars, jumping off a building, bouncing off the roof of a taxi and loving every minute of it. There is nothing that he does not believe he can do, so of course he insisted on doing his own stunts.”
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Brown’s headlong dash though downtown Los Angeles to escape the police is one of the film’s most thrilling set pieces. Using elements of parkour, a highly athletic, acrobatic sport, Brown surmounts seemingly impossible obstacles without any outside assistance. “I had to jump from one story to the story below on a building by scaling a wall,” he says “It was difficult because I had to grab while I was free-falling. It actually came out great.”
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