truly, Michael, you are missed. but you still live in everybody's hearts.
June 25, 2010
MICHAEL JACKSON'S DEATH ANNIVERSARY
i remember June 25th as the mark of the death of one of my idols, MICHAEL JACKSON. i believe everyone wishes that he is still alive right now. making new songs, inspiring musicians and reviving the spirit in each and everyone of us. well, it seems that he still does right now. people have been commemorating his existence, the life, the poetry, the music and the moves. no one ever did it like Michael Jackson.
he even got sales after his death. most people cried over his funeral. his movie, THIS IS IT has made millions in theaters and even in copies. upto this date, he continues to influence the youth that doesn't even lived in his prime years. one great thing is that he tried to bring discipline to the CEBU DANCING INMATES who danced to his songs in synchronized and orderly manner.
truly, Michael, you are missed. but you still live in everybody's hearts.
truly, Michael, you are missed. but you still live in everybody's hearts.
June 24, 2010
CATS AND DOGS: THE REVENGE OF KITTY GALORE
I wonder when this film is going to be in theaters, I'm getting fed up by the trailer over and over again. lolz
In the age-old battle between cats and dogs, one crazed feline has taken things a paw too far.
Kitty Galore, formerly an agent for cat spy organization MEOWS, has gone rogue and hatched a diabolical plan to not only bring her canine enemies to heel, but take down her former kitty comrades and make the world her scratching post.
Faced with this unprecedented threat, cats and dogs will be forced to join forces for the first time in history in an unlikely alliance to save themselves—and their humans—in Warner Bros.’ CATS AND DOGS: THE REVENGE OF KITTY GALORE, a comedy in 3D that blends live action with state-of-the-art puppetry and computer animation.
It's time for the fur to fly.
CATS AND DOGS: THE REVENGE OF KITTY GALORE stars Christina Applegate, Michael Clarke Duncan, Neil Patrick Harris, Sean Hayes, James Marsden, Bette Midler, Nick Nolte, Joe Pantoliano, Katt Williams, Chris O’Donnell, Jack McBrayer, Fred Armisen and Paul Rodriguez.
The film is directed by Brad Peyton and written by Ron J. Friedman & Steve Bencich, based on characters created by John Requa and Glenn Ficarra. It is produced by Andrew Lazar and Polly Johnsen, with Brent O’Connor and Bruce Berman serving as executive producers. The creative team includes director of photography Steven Poster, production designer Rusty Smith, editor Julie Rogers and composer Christopher Lennertz.
Opening soon across the Philippines in Digital 3D and regular format, CATS AND DOGS: THE REVENGE OF KITTY GALORE is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
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Kitty Galore, formerly an agent for cat spy organization MEOWS, has gone rogue and hatched a diabolical plan to not only bring her canine enemies to heel, but take down her former kitty comrades and make the world her scratching post.

It's time for the fur to fly.
CATS AND DOGS: THE REVENGE OF KITTY GALORE stars Christina Applegate, Michael Clarke Duncan, Neil Patrick Harris, Sean Hayes, James Marsden, Bette Midler, Nick Nolte, Joe Pantoliano, Katt Williams, Chris O’Donnell, Jack McBrayer, Fred Armisen and Paul Rodriguez.
The film is directed by Brad Peyton and written by Ron J. Friedman & Steve Bencich, based on characters created by John Requa and Glenn Ficarra. It is produced by Andrew Lazar and Polly Johnsen, with Brent O’Connor and Bruce Berman serving as executive producers. The creative team includes director of photography Steven Poster, production designer Rusty Smith, editor Julie Rogers and composer Christopher Lennertz.

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Elle Woods paints Harvard PINK!
Atlantis Productions got the rights to the Metro Goldwyn Mayer's 90s law-comedy, LEGALLY BLONDE which stages in Meralco Theater starting June 25 - July 18.

the movie was turned into a musical in Broadway and now gets into the Philippines starring Nikki Gil as Elle Woods. Elle Woods went to Harvard to follow her ex-boyfriend to win him back and turns out that she has more wit than him. follow her adventures in Law School and see how future attorneys take their play in the stressful law school life.
other actors in LEGALLY BLONDE include Guji Lorenzana as Warner Huntington III and Nyoy Volante as Emmett Forest.
Legally Blonde won Best New Touring Musical, Best Design and Best Music. and this production is based on the music and lyrics by LAURENCE O'KEEFE & NELL BENJAMIN, book by HEATHER HACH, based upon the novel by Amanda Brown and the Metro-Goldwyn-Mayer Motion Picture.
tickets are available in the following prices:
Php 1200 - Orchestra Center seats
Php 1000 - Orchestra side seats
Php 800 - Loge seats
or check http://www.atlantisproductionsinc.com/tickets.htm to inquire about ticket availabilities.
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other actors in LEGALLY BLONDE include Guji Lorenzana as Warner Huntington III and Nyoy Volante as Emmett Forest.
Legally Blonde won Best New Touring Musical, Best Design and Best Music. and this production is based on the music and lyrics by LAURENCE O'KEEFE & NELL BENJAMIN, book by HEATHER HACH, based upon the novel by Amanda Brown and the Metro-Goldwyn-Mayer Motion Picture.

Php 1200 - Orchestra Center seats
Php 1000 - Orchestra side seats
Php 800 - Loge seats
or check http://www.atlantisproductionsinc.com/tickets.htm to inquire about ticket availabilities.
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June 23, 2010
get your own SCOTT PILGRIM AVATAR
thanks to the people who shared this via Plurk. i was intrigued about the movie and made myself my own SCOTT PILGRIM AVATAR!
just go to the AVATAR CREATOR and play along with the choices to make an avatar of your taste. they even got personalities that rocks!
SCOTT PILGRIM VS. THE WORLD, the first in the series that became a major motion picture will debut on August 13 2010. made by Universal Pictures.

SCOTT PILGRIM VS. THE WORLD, the first in the series that became a major motion picture will debut on August 13 2010. made by Universal Pictures.
NICOLAS CAGE INTERVIEW for THE SORCERER'S APPRENTICE
Celebrated as one of the most versatile actors in cinema today, Academy Award®–winner Nicolas Cage has mastered the art of high drama and quirky comedy, while simultaneously conquering the worldwide box office in high-octane action adventure blockbusters. His prolific relationship with Jerry Bruckheimer has produced blockbuster films that have captured the hearts of audiences worldwide. Disney’s THE SORCERER'S APPRENTICE will mark the seventh time that Cage and Bruckheimer have collaborated on a film, following “The Rock,” “Con Air,” “Gone in 60 Seconds,” “National Treasure,” “National Treasure: Book of Secrets” and “G-Force.”
Q: Please briefly describe the plot of your film, “The Sorcerer’s Apprentice.”
Nicolas Cage: This is a story about a lone wizard, Balthazar Blake, my character, who has been looking for 1,000 years to find the prime Merlinian, the one sorcerer who will inherit Merlin’s power and save the world. Jay Baruchel plays Dave Stutler, who is possibly the prime Merlinian because he’s the only one that can wear the dragon ring. Once Balthazar finds Dave he must groom and train him for his battle against evil.
Q: Where did you get the idea for the film?
Cage: I had been very interested in the mythology of King Arthur—the legend and lore. And it occurred to me that I wanted to make movies that could resonate that in some way; that would be healing and positive. I wanted to see if I could use magic and the imagination to entertain audiences without facilitating bloodlust and having to resort to violence. At the same time I was doing a picture called “Next” and I was playing a magician of sorts in that movie but I really wanted to play a wizard or sorcerer. Todd Garner was the producer on “Next” and I told him about my idea. Todd said, “I've got it. You should be the Sorcerer's Apprentice from ‘Fantasia.’” Just like that. [SNAPS FINGERS] I thought that's great. So we started to expand the story and find ways we could lengthen this little eight-minute segment from the Goethe poem in “Fantasia” and make a big two-hour, live-action film.
Q: As a child did you see the classic Disney animated film “Fantasia”?
Cage: I was very young when I first saw “Fantasia.” I think it may have even been the first movie that my parents took me to see, so it was my first introduction to movies. It was also my first introduction to Disney animation and also my introduction to classical music. The imagery throughout the whole film, not just the Sorcerer’s Apprentice sequence, but the whole film transported me. It influenced my life and everything about it inspired me. I still watch “Fantasia” once a year. I lower the lights, put the movie on and I just sort of lose myself in it. I go into those animated forests and see the little fireflies and mushrooms dancing and it’s just a trip. [LAUGHS] I can’t help but love it.
Q: Although “The Sorcerer’s Apprentice” is not a remake of the classic Disney film, audiences may initially associate it with “Fantasia.” Did you keep this in mind when making the film and did you feel any pressure?
Cage: Some people have asked me if I was nervous because we were tampering with a Disney classic. I wasn’t. We made a film I think Walt would approve of and I believe that I was in the right place at the right time to make this movie in my life and to make it in such a way where I have faith in it. I don’t really have any expectations other than that I hope to make some children smile. That’s the best way I can apply my abilities as an actor.
Q: Can you expand a bit on the tricky relationship between your character, Balthazar Blake, and Jay Baruchel’s character, Dave Stutler?
Cage: The relationship between Balthazar and Dave is almost like a paternal one. I care about him because I’m out there all on my own trying to stop evil forces from taking over. So when I find him, it’s with great affection and it’s an enormous relief because I have found the prime Merlinian. I want to guide him; I want to instruct him and train him for a larger purpose. But it is very overwhelming for Dave and he doesn’t quite know how to take it. Imagine if someone walked into your life and said that you are the descendent of Merlin, you have all this power and you are destined to save the world. You are going to tell the guy that he is nuts. So it is a very complicated relationship, but there is a lot of comedy coming out of it particularly as Dave begins to deal with this completely preposterous information.
Q: What is the secret to your successful working relationship with Jerry Bruckheimer?
Cage: This is my seventh movie with Jerry, so we have a comfort level together. He has his process and he understands my sort of algebraic addition to the process—the X factor, if you will. I trust that Jerry will make movies that will be entertaining for people because that is his priority. And he trusts that I will come up with the X-factor that will somehow make sense of it all in terms of the character and will fit within the narrative. I think that's why he hires actors with an alternative point of view, because it does add an extra dimension to his formula. So it is a happy marriage where there is a shorthand. I know how he works and vice versa.
Q: THE SORCERER'S APPRENTICE is the third time you have collaborated with director Jon Turteltaub. Can you describe your working relationship?
Cage: Jon is very good with comedy and he knows how to get humor out of a scene. I have an interest in the darker and more edgy things, so Jon looks to me to go into more of the mystical aspect of the character and I look to him to help bring in more of the comedy that can connect with audiences. So it's a good mix and we balance each other out.
Q: As a child did you believe in magic?
Cage: Absolutely, I don't really think I ever stopped. It is very important. I don't think that any of us in the arts can succeed if we don't try to keep something of the child's mind alive. When you think about magic, it is not hocus-pocus. It is really very simple. It is imagination plus willpower focused in such a way that you can create a conscious effect in the material world. So, any painting is a work of magic. Any book is a work of magic. Any science experiment is a work of magic. Any speech that moves people is a work of magic. The question that we face is how do you use those works of magic? Do you use them to help others or do you use them just for selfishness? And that is the root of what the story's about in “The Sorcerer's Apprentice.”
(Opening soon across the Philippines, THE SORCERER'S APPRENTICE is distributed by Walt Disney Studios Motion Pictures International.)

Nicolas Cage: This is a story about a lone wizard, Balthazar Blake, my character, who has been looking for 1,000 years to find the prime Merlinian, the one sorcerer who will inherit Merlin’s power and save the world. Jay Baruchel plays Dave Stutler, who is possibly the prime Merlinian because he’s the only one that can wear the dragon ring. Once Balthazar finds Dave he must groom and train him for his battle against evil.
Q: Where did you get the idea for the film?
Cage: I had been very interested in the mythology of King Arthur—the legend and lore. And it occurred to me that I wanted to make movies that could resonate that in some way; that would be healing and positive. I wanted to see if I could use magic and the imagination to entertain audiences without facilitating bloodlust and having to resort to violence. At the same time I was doing a picture called “Next” and I was playing a magician of sorts in that movie but I really wanted to play a wizard or sorcerer. Todd Garner was the producer on “Next” and I told him about my idea. Todd said, “I've got it. You should be the Sorcerer's Apprentice from ‘Fantasia.’” Just like that. [SNAPS FINGERS] I thought that's great. So we started to expand the story and find ways we could lengthen this little eight-minute segment from the Goethe poem in “Fantasia” and make a big two-hour, live-action film.

Cage: I was very young when I first saw “Fantasia.” I think it may have even been the first movie that my parents took me to see, so it was my first introduction to movies. It was also my first introduction to Disney animation and also my introduction to classical music. The imagery throughout the whole film, not just the Sorcerer’s Apprentice sequence, but the whole film transported me. It influenced my life and everything about it inspired me. I still watch “Fantasia” once a year. I lower the lights, put the movie on and I just sort of lose myself in it. I go into those animated forests and see the little fireflies and mushrooms dancing and it’s just a trip. [LAUGHS] I can’t help but love it.
Q: Although “The Sorcerer’s Apprentice” is not a remake of the classic Disney film, audiences may initially associate it with “Fantasia.” Did you keep this in mind when making the film and did you feel any pressure?
Cage: Some people have asked me if I was nervous because we were tampering with a Disney classic. I wasn’t. We made a film I think Walt would approve of and I believe that I was in the right place at the right time to make this movie in my life and to make it in such a way where I have faith in it. I don’t really have any expectations other than that I hope to make some children smile. That’s the best way I can apply my abilities as an actor.
Q: Can you expand a bit on the tricky relationship between your character, Balthazar Blake, and Jay Baruchel’s character, Dave Stutler?

Q: What is the secret to your successful working relationship with Jerry Bruckheimer?
Cage: This is my seventh movie with Jerry, so we have a comfort level together. He has his process and he understands my sort of algebraic addition to the process—the X factor, if you will. I trust that Jerry will make movies that will be entertaining for people because that is his priority. And he trusts that I will come up with the X-factor that will somehow make sense of it all in terms of the character and will fit within the narrative. I think that's why he hires actors with an alternative point of view, because it does add an extra dimension to his formula. So it is a happy marriage where there is a shorthand. I know how he works and vice versa.
Q: THE SORCERER'S APPRENTICE is the third time you have collaborated with director Jon Turteltaub. Can you describe your working relationship?
Cage: Jon is very good with comedy and he knows how to get humor out of a scene. I have an interest in the darker and more edgy things, so Jon looks to me to go into more of the mystical aspect of the character and I look to him to help bring in more of the comedy that can connect with audiences. So it's a good mix and we balance each other out.
Q: As a child did you believe in magic?
Cage: Absolutely, I don't really think I ever stopped. It is very important. I don't think that any of us in the arts can succeed if we don't try to keep something of the child's mind alive. When you think about magic, it is not hocus-pocus. It is really very simple. It is imagination plus willpower focused in such a way that you can create a conscious effect in the material world. So, any painting is a work of magic. Any book is a work of magic. Any science experiment is a work of magic. Any speech that moves people is a work of magic. The question that we face is how do you use those works of magic? Do you use them to help others or do you use them just for selfishness? And that is the root of what the story's about in “The Sorcerer's Apprentice.”
(Opening soon across the Philippines, THE SORCERER'S APPRENTICE is distributed by Walt Disney Studios Motion Pictures International.)
June 22, 2010
CHRISTOPHER NOLAN invades your dreams with “INCEPTION”
Director-writer Christopher Nolan follows up “The Dark Knight’s” blockbuster success with Warner Bros.’ new sci-fi action-thriller INCEPTION starring Leonardo DiCaprio.
The acclaimed filmmaker reveals that he began creating the world of “Inception” almost a decade before he made the movie. “About ten years ago, I became fascinated with the subject of dreams, about the relationship of our waking life to our dreaming life,” Nolan explains. “I’ve always found it to be an interesting paradox that everything within a dream—whether frightening, or happy, or fantastic—is being produced by your own mind as it happens, and what that says about the potential of the imagination is quite extraordinary. I started thinking how that could be applied to a grand-scale action movie with a very human dimension.”
INCEPTION hinges on the premise that it is possible to share dreams…dreams that have been designed to look and feel completely real while you’re in them. And in that subconscious state, a person’s deepest and most valuable secrets are there for the taking. Nolan elaborates, “At the heart of the movie is the notion that an idea is indeed the most resilient and powerful parasite. A trace of it will always be there in your mind…somewhere. The thought that someone could master the ability to invade your dream space, in a very physical sense, and steal an idea—no matter how private—is compelling.”
Producer Emma Thomas agrees, noting that the film had to maintain that balance between a thrill ride and an emotional journey. “It has elements of a heist movie, but one set in a more fantastical framework. It has huge action sequences, but it also has characters you truly care about, and there is a real emotional driving force throughout.”
That driving force is largely embodied in the central character of Dom Cobb, played by Leonardo DiCaprio. “In essence, that’s what was immediately engaging to me about the script,” says the actor. “It is this highly entertaining, complex thriller where anything can happen, but at the heart is one man’s quest to uncover a long-buried truth and to get back home. It’s also completely original; I don’t think anyone could say they’ve experienced anything like it before. That combination made me excited about working on the project, as well as with Chris Nolan. He is an expert at taking this kind of multi-layered storyline and making it true and tangible to an audience.”
Nolan asserts that the central theme of the story is both personal and universal “because we all dream. We all experience the phenomenon of our minds creating a world and living in that world at the exact same time. There is also an incredible contrast in the world of dreams—they are so intimate and yet they have infinite possibilities in terms of what we can imagine. So the challenge was to blend the intimacy and emotion of what might take place in a dream with the massive scope of what our brains can conceive of. I wanted to create a film that would allow the audience to experience the limitless realities that only in dreams can we realize.”
“We knew the production of INCEPTION was going to have to be big because of the subject matter—you can do anything in a dream,” adds Thomas. “In fact, the scope of this film is greater than anything we’ve done before, even just in terms of the number of countries in which we shot.”
“To me, the material demanded a very large-scale approach,” Nolan attests. “That’s why we wound up shooting in six different countries, building enormous sets, and really pushing the boundaries of what could be achieved practically, as opposed to computer effects.

“It’s interesting because the human brain is often compared to a computer,” the director continues, “but the truth is that’s a very inadequate analogy because the brain is capable of more than we’ll ever know. For a filmmaker, that made it an ideal world to be delving into because there are no rules for what the mind can create, and a movie exploring that had to be the grandest form of entertainment.”
Opening soon across the Philippines in IMAX, Digital 2D and regular format, INCEPTION is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.

INCEPTION hinges on the premise that it is possible to share dreams…dreams that have been designed to look and feel completely real while you’re in them. And in that subconscious state, a person’s deepest and most valuable secrets are there for the taking. Nolan elaborates, “At the heart of the movie is the notion that an idea is indeed the most resilient and powerful parasite. A trace of it will always be there in your mind…somewhere. The thought that someone could master the ability to invade your dream space, in a very physical sense, and steal an idea—no matter how private—is compelling.”

That driving force is largely embodied in the central character of Dom Cobb, played by Leonardo DiCaprio. “In essence, that’s what was immediately engaging to me about the script,” says the actor. “It is this highly entertaining, complex thriller where anything can happen, but at the heart is one man’s quest to uncover a long-buried truth and to get back home. It’s also completely original; I don’t think anyone could say they’ve experienced anything like it before. That combination made me excited about working on the project, as well as with Chris Nolan. He is an expert at taking this kind of multi-layered storyline and making it true and tangible to an audience.”
Nolan asserts that the central theme of the story is both personal and universal “because we all dream. We all experience the phenomenon of our minds creating a world and living in that world at the exact same time. There is also an incredible contrast in the world of dreams—they are so intimate and yet they have infinite possibilities in terms of what we can imagine. So the challenge was to blend the intimacy and emotion of what might take place in a dream with the massive scope of what our brains can conceive of. I wanted to create a film that would allow the audience to experience the limitless realities that only in dreams can we realize.”
“We knew the production of INCEPTION was going to have to be big because of the subject matter—you can do anything in a dream,” adds Thomas. “In fact, the scope of this film is greater than anything we’ve done before, even just in terms of the number of countries in which we shot.”
“To me, the material demanded a very large-scale approach,” Nolan attests. “That’s why we wound up shooting in six different countries, building enormous sets, and really pushing the boundaries of what could be achieved practically, as opposed to computer effects.


Opening soon across the Philippines in IMAX, Digital 2D and regular format, INCEPTION is distributed by Warner Bros. Pictures, a Warner Bros. Entertainment Company.
KNIGHT AND DAY movie review
ohmskiJune 22, 201020th century fox, cameron diaz, knight and day, movies, review, tom cruise
No comments
bumping into a stranger and then finding yourself in a near-death adventure is June's (Cameron Diaz) most memorable one. rushing to go to her sister's wedding accidentally have been a bumpy ride with Roy Miller (Tom Cruise) who appears to be an ex-FBI agent. since Roy Miller has brought June into great danger, he pulls her and protected her against all that chases them.
actually a really good movie. a combination of Die Hard stunts with the comic Cameron Diaz as Tom Cruise completes the package. you'll also get to travel into different countries but it won't give you that awe of the place they're in. also, the story doesn't give much focus why an element is so important in the story. to summarize, what's all important is that their enemies are killed.
KNIGHT AND DAY gets into Philippine theaters on June 24 2010 distributed by Columbia Pictures International.

