A Cultural Homecoming: A Review of Tales of the Manuvu

Running from March 28 and 29, 2026 at the Proscenium Theater in Rockwell, Makati, Tales of the Manuvu by Alice Reyes is more than a ballet. It’s a heartfelt return to Filipino roots, told through dance and music.

The production retells the myths and legends of the Manuvu, an ethnolinguistic group from Mindanao. Its traditional prologue beautifully establishes a distinct cultural profile that constitutes Filipino identity.

The staging is simple but colorful—just like the Manuvu culture it represents. Even if the story already feels familiar, it’s still a joy to experience these stories again in this kind of performance. It brings a sense of nostalgia while making the stories feel alive.

One of the most memorable moments is hearing “Noong Unang Panahon.” Many of us know this song from our elementary days, so it’s exciting to realize that it comes from this production. It adds a personal and emotional touch to the experience.

The performers also deserve praise. Both the dancers and singers fully commit to their roles. The dancers bring the characters to life with strong and expressive movements, while the singers add depth to the story. Together, they make the storytelling clearer and more powerful.

 
 
 

 

This is not just a traditional ballet. It also includes modern movements, which makes it easier for today’s audience to connect with the performance. The mix of styles keeps it engaging while still respecting its cultural roots.

It’s also worth noting that this staging supports a bigger purpose. The March 28 show opens with a fundraising gala, where ticket sales help support the work of Alice Reyes Dance Philippines—from sustaining its dancers and artists to preserving important Filipino works.

While there are paid gala and ticketed shows, the production continues its mission of making the arts accessible by offering free admission (with registration) for select audiences.

In the end, Tales of the Manuvu is a beautiful reminder of who we are as Filipinos. It celebrates our stories and traditions in a way that feels both familiar and fresh.

With free registration available and a meaningful cause behind it, this is more than just a show—it’s an experience worth showing up for.

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Theater Review: Dulaang UP's "Ang Kaliitan ng Kasalukuyan"

Dulaang UP’s Ang Kaliitan ng Kasalukuyan takes on the familiar yet still urgent story of the overseas Filipino worker, using an intimate staging and a mix of theatrical forms to bring the experience closer to its audience. While the production succeeds in creating emotional access, it also shows some unevenness in how its ideas are carried through.

At the center is Sandino Martin as Bulan, who delivers a steady and sincere performance. He keeps the character grounded, especially in quieter moments where the weight of isolation is more felt than spoken. His portrayal becomes the anchor of the play, particularly when the material shifts between tones.

The staging works in the production’s favor. The intimate setup allows the audience to feel involved rather than just observing from a distance. Projections are used throughout and are generally well integrated, helping set the mood and context without taking attention away from the actors. These choices support the storytelling and give the play a strong visual identity.

The show also attempts to combine several disciplines, including musical elements, drama, puppetry, and advocacy. At its best, this mix adds variety and keeps the performance engaging. However, not all transitions feel smooth. Some segments stand out more than others, making the overall flow feel uneven at times. The versatility of the set helps bridge these shifts, but the structure can still feel fragmented.

The first part of the play is one of its stronger sections. It presents a relatable picture of an OFW returning home, from the frustration of traffic to the sudden closeness of family members. These moments are handled with warmth and familiarity, capturing the mix of comfort and tension that comes with going back to one’s roots. The sense of nostalgia is clear and effective, giving the audience an easy point of connection.

A key highlight is the exchange between Bulan and his older sister. Their dialogue is direct and emotionally charged, offering some of the most honest moments in the play. The sister’s lines carry insight and lived experience, and the tension between them feels real. This scene stands out because it is clear, focused, and grounded.

Ang Kaliitan ng Kasalukuyan raises important points about distance, family, and survival, but does not always sustain the same level of clarity across its runtime. It is at its strongest when it leans into simple, truthful moments rather than layered concepts.

The production runs until March 29 at the IBG-KAL Theater in UP Diliman.

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