While receipts for the latest “Fantastic Beasts” movie are still coming in, Warner is celebrating the triumph of “The Batman” which has flown past $750-M at the global box office. The film has maintained its top spot as the highest-grossing film of the year, both in the U.S. and worldwide.
Earning widespread praise from critics and audiences alike, director Matt Reeves’s powerful new vision of the globally iconic DC Super Hero has taken in $365 million in U.S. receipts and $386 million internationally, and is still going strong.
In the Philippines, “Fantastic Beasts: The Secrets of Dumbledore” likewise opened at No.1 for the two-day April 16-17 frame, capturing a market share of 63%. Together with “The Batman” which is still playing in local theaters, Warner is dominating the market with an over-all 68% share for the same period.
Earning widespread praise from critics and audiences alike, director Matt Reeves’s powerful new vision of the globally iconic DC Super Hero has taken in $365 million in U.S. receipts and $386 million internationally, and is still going strong.
In the Philippines, “Fantastic Beasts: The Secrets of Dumbledore” likewise opened at No.1 for the two-day April 16-17 frame, capturing a market share of 63%. Together with “The Batman” which is still playing in local theaters, Warner is dominating the market with an over-all 68% share for the same period.
“We couldn’t have started the year better,” said Francis Soliven, General Manager of Warner Bros. Philippines. “`The Batman’ and the new `Fantastic Beasts’ are consecutive blockbusters for Warner this early in 2022, and we owe it to the local moviegoers who, despite the challenges, have trooped back to the theaters.”
For the rest of 2022, Warner is betting on Baz Luhrmann’s epic musical “Elvis,” the animated superhero comedy “DC League of Super-Pets,” the horror-thriller “Salem’s Lot,” the psychological thriller “Don’t Worry, Darling” and the superhero tentpoles “Black Adam” and “Shazam: Fury of the Gods.”
For the rest of 2022, Warner is betting on Baz Luhrmann’s epic musical “Elvis,” the animated superhero comedy “DC League of Super-Pets,” the horror-thriller “Salem’s Lot,” the psychological thriller “Don’t Worry, Darling” and the superhero tentpoles “Black Adam” and “Shazam: Fury of the Gods.”