lifestyle, entertainment, reviews

Showing posts with label justin timberlake. Show all posts
Showing posts with label justin timberlake. Show all posts

November 22, 2012

TROUBLE WITH THE CURVE movie review

when you think you know baseball, TROUBLE WITH THE CURVE will show you how experience teaches a lot of lessons. in this movie by Warner Bros., Clint Eastwood who plays Gus scouts for baseball players despite his sight problems. his daughter Mickey, played by Amy Adams, helps him to do so but past experiences detach the girl from her father.
the movie not only teaches us about baseball but also to prepare for our twilight years. as Gus is the best man for the job, the new blood is slowly eliminating him to achiever their personal goals. but as Gus' love for baseball, the old man cannot cope up with the demands as his health depreciates starting with the eyesight -- which is very vital for recruiting the next players. this is where Mickey comes in. though very aggressive to help her father, Gus is still over protective of her as to how to deal with the guys. she also has some "issues" with her father that's why she feels very unattached though obligated to help him. along the way, she meets this another baseball enthusiast, Johnny (Justin Timberlake), who's in the same objective as they have.
at least they learn to resolve the issues at the same time they had found the right guy for the post. Gus, Mickey and so with Johnny found each of what they're lacking with each other. in this sense, the best thing for the job you'll like to accomplish would be standing right beside you. it's important to notice the people around you so that you will have the best time ever.

this movie is another revelation for Justin Timberlake's acting skills for me. with his high-recommendable performance in The Social Network, i can say that this man has talent. acting as Johnny makes him very effective for Mickey and he and Amy Adams have a cute chemistry on screen. the movie is properly cast.

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September 15, 2011

FRIENDS WITH BENEFITS movie review

companionship, sex and love realized when everything ends displayed in Sony Pictures' new romantic comedy Friends with Benefits starring Justin Timberlake and Mila Kunis. opening on September 28 2011 at Philippine theaters nationwide.

you may be lost in a strange streets of New York but there is a person willing to help you out. newbie in New York Dylan (Justin Timberlake) is a blogger getting hired in top lifestyle GQ as a creative director, thanks to head hunter Jamie (Mila Kunis). she also has opened his eyes to the streets of New York and its lifestyle. in return, Dylan has to retain in this new job in order for her to get her bonus. both of them would benefit holding on and hanging on to each other.

clashing two people from different coasts, they experience each other's worlds -- and bodies -- which tied them closely together. plainly sex and nothing else, they agreed simply. notice rear exposures by Mila Kunis and Justin Timberlake for about 10-20 minutes of love making. first part of the movie puts you in a light mood as our main characters discovers themselves. as Jamie is a very liberated girl, Dylan is a somehow-conservative type of guy but like a bomb waiting to explode.

but it gets complicated when Jamie tried to find a serious lover. letting get off, Dylan continues to his life but he realizes that something is empty without her. on the other hand, she also gets emotionally attached to Dylan. hesitant to say about what they truly feel, they parted ways. this chic flick rose up your dream on a dream relationship without commitments but destroys your love excitement. there are also a lot of cute scenes like the flash mob. i was also disappointed that there are some edited scenes. but i hope those are not really essential to the story.


if you want to see it earlier than the others, there is a special preview for the public on September 19 and 20 in selected theaters. don't miss the middle of the end credits. check online on your different cinema schedules to get tickets in advance. you can also check the local radio stations for ticket promos.

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October 27, 2010

THE SOCIAL NETWORK movie review

the origins of Facebook is traced in Columbia Pictures' highly-acclaimed movie of today's generation, THE SOCIAL NETWORK. starring Jesse Eisenberg as Facebook creator, Mark Zuckerberg; Justin Timberlake as Napster founder-turned-president, Sean Parker. the film is directed by David Fincher and is now showing in theaters nationwide.

the film is really interesting in this time today. you will be amazed on how it all started as a joke and great opportunity came. having a brain like Mark Zuckerberg's is a gold mine. not only hailed from Harvard, he just did what he likes -- up to the extent that he has to diss his ex-girlfriend. imagine blogging for longer hours which only took him to earn thousands of hits in just 4 hours! that's a very hard achievement for a site owner.

i admire the way that Mark Zuckerberg speaks. it may seem a little nerdy but we have to admit. we take a look at other people's social network profiles to sometimes take the negative out of them for us to throw something back at them when things don't go our way.


know how to speak like a Harvard student. it's kind of inspiring to go back to school again, minus the algorithmic language that Zuckerberg speaks. and from there, his friend Eduardo (Andrew Garfield) saw the opportunities in business.

we always see movies of law students in Harvard. here, we saw the application of law and how people can use their power, greed and even greater potentials. it served that we should be grateful of the education we are getting and should strive for it.

Justin Timberlake's breakthrough performance as Sean Parker is amazing. you will like him for his radical and creative business ideas but hate him for a being a user. but i would like to commend Mark Zuckerberg for making a good business decision of choosing Sean Parker as a partner-consultant. if it wouldn't for Parker, we will have a corny social network name and an ugly Facebook. these two have the violating ideas but they converted these ideas to money.

THE SOCIAL NETWORK is really a must-see. this is a mirror of our generation and makes an individual stronger. in ways that you cannot imagine, you can start kicking someone's a** and laugh at how they treated you. we can attest that karma is a b*tch.

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October 25, 2010

ANDREW GARFIELD interview for THE SOCIAL NETWORK

Before he conquers the big screen as the new Spider-Man in 2012, young actor Andrew Garfield can be seen in Columbia Pictures' acclaimed drama “The Social Network,” the controversial film detailing the Harvard dorm room origins of social media megasite Facebook.

Garfield plays Eduardo Saverin, co-founder of Facebook with fellow Harvard undergrad Mark Zuckerberg. The two were former best friends but deviated as Facebook became immensely successful and eventually parted ways.

The actor-on-the-rise talks about “The Social Network” in the following interview:

Q: How tricky was it to portray Eduardo Saverin with the story of Facebook still being written?

Andrew Garfield: It's rare that a subject is tackled immediately after its conception, but we had a script and Aaron Sorkin [the screenwriter] researched the story very well. I find it very interesting that it was told from multiple perspectives and no one was portrayed right or wrong.

Q: Given director David Fincher’s exacting reputation, what was your experience of working on “The Social Network?”

Garfield: It was just the greatest, really. The amount of trust that you feel for him, that you can place all of your trust in him if you’re a fan of his work. Which I am, I’m a fan of all of his movies so I love his taste and I love the performances that he gets from people. You can let go in a scene, and you don’t have to worry about doing what you want to do because you know that whatever he’s got in mind is going to be better than what you want to do. He does do a lot of takes.

Q: The lore is that he often gets up in the 70s.

Garfield: Oh, yeah. Every time. But it’s the best, the most freeing filming experience I’ve had, and the most enjoyable filming experience I’ve ever had just because of the sheer freedom. And you leave everything there. You do the scene every single different way you could have ever done the scene. He just wants you to fuck up so that you become more alive in the moment. And we’re working on the Red cameras, it was digital, so he’ll just delete things if it doesn’t work.

It’s boring sometimes and it’s painful, but then what’s the point otherwise? I’m a total advocate of that. For young actors especially who are hungry to explore the craft of acting, and working with Aaron Sorkin’s words, and then having Fincher steering you and guiding the ship, we all kind of wanted to savor every moment.

Q: Did you get to spend much time with [co-star] Justin Timberlake?

Garfield: Yeah, such a good guy. At first I was very intimated because he has this iconic status. Which is such a weird thing for a human being to have. He’s just a good person, genuinely funny, engaging, warm, supportive. Very generous. That was one of the other great things, there was no competitiveness between any of the actors on the set.

Q: Really? I’m surprised. I would think that because of the nature of the story that that would actually help the dynamic onscreen.

Garfield: Yeah, David Fincher was pitting us against each other in the scenes. But outside of that, he cast a group of people that got on very well. Everyone felt very lucky to be there, so that permeated the feeling on set. But Justin was amazing, and great to work with, and I love Jesse Eisenberg so much.

Q: Did you guys get any time together off set? Go to ball games or anything?

Garfield: Yeah. We did. Me and Jesse, after Boston we were shooting in Baltimore for four days, and we spent Halloween in Baltimore on our own hanging around this awful shopping mall with a Hard Rock Café and a Cheesecake Factory and a Borders. And then we saw a Ravens game. We saw a Celtics game when we were in Boston, which was amazing. And Jesse got the green clover drawn on his face. He has all these different personality facets. He’s so smart and so funny and so cerebral and neurotic and vulnerable. But then very defensive and then kind of stupid and irreverent. But mostly funny, and can turn any situation into something Seinfeldian. He may differ with this because he’s a contrarian, but I feel like our relationship reflected the best friends thing during shooting. For me, anyway.
(Opening across the Philippines on Oct. 27, “The Social Network” is distributed by Columbia Pictures, local office of Sony Pictures Releasing International. Visit http://www.columbiapictures.com.ph for trailers, exclusive content and free downloads. Like us at www.Facebook.com/ColumbiaPicturesPH and join our fan contests.)

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October 21, 2010

follow JESSE EISENBERG in Facebook

Jesse Eisenberg has de-friended his inner Mr. Nice Guy.

After years playing sweet, earnest and awkward in movies such as “Adventureland” and “Zombieland,” the actor has shown a more sinister side with his ruthless portrayal of Facebook founder Mark Zuckerberg in the critically acclaimed “The Social Network” from Columbia Pictures.

Critical hosannas for the role may lead to an Oscar nomination, and the high-profile part is helping the boyish 27-year-old transition from "Hey, it's that guy" to a household name. But some signature halting nervousness comes into Eisenberg's voice when he talks about reactions he has gotten after screenings of the film.

"We do these question-and-answer sessions, and some people say, 'Why ... wha ... I was so turned off by your character. He was such a jerk. Why — why would you want to play this character?' " he says, repeating the stammering indignation. "There are these almost aggressive condemnations."

"The real other extreme is, 'I just wanted to give him a hug through the whole movie. I just felt so bad for him' — this is my mother talking," Eisenberg jokes. "But other people, too. 'The kid was so desperate to connect and just doesn't know how to. He's so lonely.' "

Even the visuals in the film try to underline that. Director "David Fincher practically composed the movie that way, with him behind panes of glass, in corners of rooms, framing him in a way that makes him look more isolated," Eisenberg says.

One personal reaction the actor hasn't received is from Zuckerberg himself, who did not cooperate with the filmmakers or meet Eisenberg prior to the shooting.

The script, by “West Wing” creator Aaron Sorkin, explores the fractured friendships and allegiances between Zuckerberg and a handful of fellow Harvard students who in 2004 helped create Facebook, now estimated to be worth $33 billion.

On “The Oprah Winfrey Show,” Zuckerberg dismissed the film with a smile: "The last six years have been a lot of coding and focus and hard work, but you know, maybe it would be fun to remember it as partying and all this crazy drama." Zuckerberg was on the show to discuss a $100 million donation to Newark's troubled school system, which took place on the day of the movie's premiere — something widely regarded as an effort to burnish the back-stabbing image depicted in the film.

Eisenberg is inclined to go easier on Zuckerberg. "What he did was so incredibly generous," the actor says. "To attribute it to anything else seems mean-spirited and cynical."

It may be the only time he goes easy on Zuckerberg. Though Eisenberg didn't set out to attack, he plays the young CEO-to-be as brilliant but revoltingly condescending and lacking even a modicum of tact.

That's before the story even gets rolling.

Opening across the Philippines on Oct. 27, “The Social Network” is distributed by Columbia Pictures, local office of Sony Pictures Releasing International. Visit http://www.columbiapictures.com.ph for trailers, exclusive content and free downloads and at www.Facebook.com/ColumbiaPicturesPH to join fan contests.

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October 12, 2010

THE SOCIAL NETWORK holds sneak previews next week

Considered as the film to beat in next year's Academy Awards, Columbia Pictures' “The Social Network,” the controversial movie detailing the origins of social media megasite Facebook, will have whole-day sneak previews on Monday and Tuesday, Oct. 18 & 19 in selected theaters in Metro Manila. Tickets will be available at regular admission prices.

This affords film buffs and Facebookers a chance to watch the much-talked-about and critically acclaimed movie ahead of its grand opening here on Oct. 27. “The Social Network” has been the No. 1 movie in the US for two consecutive weeks now, earning a cumulative gross of $47-million.

Manohla Dargis of The New York Times praises “The Social Network” as “fleet...funny, exhilarating...supremely confident...a creation story for the digital age,” while Richard Corliss of Time Magazine raves, “The film is like a video game at warp speed. The rewards for paying attention are mammoth and exhilarating.”

“It’s the movie of the year that also brilliantly defines the decade,” applauds Peter Travers of Rolling Stone.

In the film, on a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg (Jesse Eisenberg) sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Zuckerberg is the youngest billionaire in history, but for this entrepreneur, success leads to both personal and legal complications.

Also starring are Justin Timberlake (“Shrek The Third”) as Sean Parker, the Napster co-founder who became Facebook's founding president; and Andrew Garfield (“Lions for Lambs,” “Spider-Man” 2012) as Eduardo Saverin, the Facebook co-founder who fell out with Zuckerberg over money.

Directed by David Fincher and written by Aaron Sorkin, “The Social Network” is distributed by Columbia Pictures, local office of Sony Pictures Releasing International. Visit http://www.columbiapictures.com.ph for trailers, exclusive content and free downloads. Like ColumbiaPicturesPH on Facebook.

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October 4, 2010

follow JUSTIN TIMBERLAKE in THE SOCIAL NETWORK

Grammy-winner Justin Timberlake makes a breakthrough performance as an actor in Columbia Pictures' critically acclaimed drama The Social Network, the controversial film about the beginnings of social media megasite Facebook.

Timberlake plays Sean Parker, the smooth-talking Napster founder-turned-Facebook president who pulls Facebook creator Mark Zuckerberg into his venture-capital-rich world while persuading the young upstart to bury his biggest investor, and friend, Eduardo Saverin.

"I read it and I thought it was a perfect screenplay," says Timberlake of The Social Network, which is written by The West Wing's Aaron Sorkin. "I knew that it was in the two percentile of material that is just great. And then I heard David Fincher (The Curious Case of Benjamin Button,Zodiac,Fight Club) was going to be the director,” so Justin kicked down the door as hard as he could.

On paper, Timberlake is the polar opposite from Parker. The megastar doesn't use Facebook and is famously tight-lipped about his personal life. Though more than 3 million people follow him on Twitter, he follows just 18, including his mom. "The biggest question I've heard from people is, 'Why would they make a movie about Facebook?' " he says. "And I try to say, you know, it's not really about Facebook. Facebook is the catalyst for some deeper themes."

The irony wasn't lost on Timberlake that he plays the co-founder of Napster, the music-sharing service that spread like wildfire in 1999, sending the music industry into a tailspin. Major labels began suing college students over copyright violations.

"There's more irony in there that says who'd have thunk the music industry doesn't have more of a sense of humor," says Timberlake, whose own album sales were pillaged back when he was the curly-haired teen heartthrob in pop group N' Sync.

Landing the role of Parker was the challenge. "When I wrote it and Justin's name came up, I had, I think, the same reaction that director David Fincher had, which was, well, you know what, the guy kills on SNL, so the least we can do is give him an audition," Aaron Sorkin says.

"We were convinced he could overcome his fame baggage," Fincher says. "Anyone who's seen 'D ——— in a Box' knows that this guy is fearless." The Saturday Night Live sketch won Timberlake and partner-in-crime Andy Samberg an Emmy for their R&B digital short, which exploded on YouTube after airing in 2006. The premise: Timberlake and Samberg serenade their girlfriends at Christmastime with gift boxes tied at waist level.

Timberlake's most intense monologue in The Social Network takes place in a pulsing club outside Silicon Valley. "Look at my face and tell me I don't know what I'm talking about," Timberlake demands on screen, cementing his seduction of the nerdy, tech-savvy Zuckerberg, played by Jesse Eisenberg. "David famously does 50, 60, 70, 80 takes, and you never heard Justin saying 'Omigod, we got it already, can we stop?' — it would be, 'Are you sure you've got it? I'm up for 10 more,' " Sorkin says.

Timberlake calls Fincher's directing style "mentally and emotionally and physically exhausting," but it's "also artistically just like breaking free. It's freedom. Because you get to do so many takes that you get the opportunity to mess it up."

Opening soon across the Philippines, The Social Network is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.

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September 29, 2010

we all share THE SOCIAL NETWORK

Every age has its visionaries who leave, in the wake of their genius, a changed world – but rarely without a battle over exactly what happened and who was there at the moment of creation.

In Columbia Pictures’ The Social Network, director David Fincher and screenwriter Aaron Sorkin explore the moment at which Facebook, the most revolutionary social phenomenon of the new century, was invented -- through the warring perspectives of the super-smart young men who each claimed to be there at its inception.

One drunken night in October of 2003, having just broken up with his girlfriend, Harvard student Mark Zuckerberg hacks into the university’s computers to create a site that forms a database of all the women on campus, then lines up two pictures next to each other and asks the user to choose which is “hotter.” He calls the site Facemash, and it instantly goes viral, crashing the entire Harvard system and generating campus-wide controversy over the site’s purported misogyny, and charges that Mark, in creating Facemash, intentionally breached security, violated copyrights and violated individual privacy.

Yet in that moment, the underlying framework for Facebook is born. Shortly after, Mark launches thefacebook.com, which will spread like wildfire from one screen to the next across Harvard, through the Ivy League to Silicon Valley, and then literally to the entire world.

But in the chaos of creation comes passionate conflict -- about how it all went down, and who deserves recognition for what is clearly developing into one of the century’s signal ideas –conflict that will divide friends and spur legal action.

To forge a palpable sense of that fog of creation, of history still being written, Sorkin and Fincher collaborated on a carefully constructed, non-aligned storytelling style that intentionally does not choose sides. Instead, the film presents a consortium of equally tricky narrators – each of whom believes he is in the right and that his particular memories are the truth of the matter – while leaving the larger questions of what really happened entirely open for the audience.

Ultimately, Sorkin’s screenplay defies the notion that there can be a single truth and he fully intends for this to provoke debate. Sums up the screenwriter: “I’ll be delighted if people have arguments in the theatre parking lot over it. With The Social Network, we took a set of facts, and we made a truth. In fact, more specifically, we made three truths. If you think of the facts that aren’t in dispute as dots that you have to connect, we connected those dots and we made a picture. But in between those dots are a) character, and b) the fact that you get to decide what the truth is. We don’t tell you ‘this is the only truth there is,’ we posit a handful of truths in pursuit of a larger true thing: the conditions that made all this possible.”


Opening soon across the Philippines, The Social Network is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.

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September 23, 2010

tracking the origins of Facebook in THE SOCIAL NETWORK

Columbia Pictures brings to the screen The Social Network, the controversial and acclaimed film detailing the Harvard dorm room origins of social media megasite Facebook -- the most revolutionary social phenomenon of the new century -- which is valued today at a staggering $16 billion.

On a fall night in 2003, Harvard undergrad and computer programming genius Mark Zuckerberg sits down at his computer and heatedly begins working on a new idea. In a fury of blogging and programming, what begins in his dorm room soon becomes a global social network and a revolution in communication. A mere six years and 500 million friends later, Zuckerberg is the youngest billionaire in history. But for this entrepreneur, success leads to both personal and legal complications.

What follows is a drama rife with both creation and destruction; one that purposefully avoids a singular POV, but instead, by tracking dueling narratives, mirrors the clashing truths and constantly morphing social relationships that define our time.

Drawn from multiple sources, the film moves from the halls of Harvard to the cubicles of Palo Alto as it captures the visceral thrill of the heady early days of a culture-changing phenomenon in the making -- and the way it both pulled a group of young revolutionaries together and then split them apart.

In the midst of the chaos are Mark Zuckerberg, the brilliant Harvard student who conceived a website that seemed to redefine our social fabric overnight; Eduardo Saverin, once Zuckerberg’s close friend, who provided the seed money for the fledgling company; Napster founder Sean Parker who brought Facebook to Silicon Valley’s venture capitalists; and the Winklevoss twins, the Harvard classmates who asserted that Zuckerberg stole their idea and then sued him for ownership of it.

Each has his own narrative, his own version of the Facebook story – but they add up to more than the sum of their parts in what becomes a multi-level portrait of 21st Century success – both the youthful fantasy of it and its finite realities as well.

Directed by the Oscar-nominated David Fincher (The Curious Case of Benjamin Button), The Social Network stars Jesse Eisenberg (Zombieland) as Zuckerberg, Justin Timberlake (Shrek The Third) as Sean Parker, who became Facebook's founding president; and Andrew Garfield (Lions for Lambs, Spider-Man 2012) as Eduardo Saverin, the Facebook co-founder who fell out with Zuckerberg over money.

The film is written by Aaron Sorkin (A Few Good Men) based on the novel The Accidental Billionaires: The Founding of Facebook -- A Tale of Sex, Money, Genius, and Betrayal by Ben Mezrich.

Opening soon across the Philippines, The Social Network is distributed by Columbia Pictures, local office of Sony Pictures Releasing International.

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March 28, 2010

a big party is also CHANGING LIVES

weee! i was able to see the CHANGING LIVES SHOCKWAVE VALUE II concert of Timbaland along with Jojo and Justin Timberlake! thanks to Earth for giving me her GOLD TICKETS which is not so bad from view. the show started past 930PM already because they also supported the turning off of lights during the Earth Hour. but organizers didn't bore audiences for two Pinoy-grown talents performed on stage.


the moment Timbaland appeared on stage, the crowds went wild and began jumping and partying. he had his first send and ended it with Sebastian. Jojo came up and did a duet with Timbaland and 1 song of her own. we got more excited as we wait for that very special guest, Justin Timberlake.

Justin and Timbaland did about 8 songs to bring the audience to party: Carry Out with Timbaland, My Love, Summer Love, Until The End of Time, Cry Me A River, Dick in a Box and What Goes Around... Comes Around (in keyboard version), Lovestoned (I Think that She Knows), Sexy Back and Promiscuous Girl (list source: Team MCS)

people in the fan mode with me last night are Iris, Monch, Ian, and Azrael. last night was more than a blast!

photos courtesy of Earthlingorgeous.com

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