A welcome-home concert for this “rare spinto-tenor in the tradition of a Pavarotti... a well-trained tenor (with) no fear of heights”
The MiraNila Heritage House & Library in partnership with Leon Gallery and Gallery MiraNila of The Blue Leaf with support from the Bizu Groupe proudly presents “Tenor Arthur Espiritu Welcome-home Concert Amid Critical Acclaim in Europe” on Wednesday, April 2, 2025 at 6:30 p.m. at the Main Hall of MiraNila.
Enter the thrilling world of Filipino-American tenor Arthur Espiritu to witness his “magnificent vocal power” and “effortlessness and radiance.”
He returns from European cities after playing leading roles in opera houses and concert halls.
MiraNila promises a magical experience and an exploration of the power of love and the drama of opera with pieces by Gabriel Fauré, Franz Lehar, Giacomo Puccini, Charles Gounod, Richard Strauss, Andrew Lloyd Weber and Francesco Sartori.
In an interview with Michael Ching, Mr. Espiritu recalls, “I started my career in Europe... I had no trouble landing leading European-type roles." Still, he had to prove himself by working harder as he was not as tall as the locals. "In some ways,” he added, “it was easier for female performers."
His advice to younger talents? “Work really, really hard at your artistry, put yourself into that character... take that extra step with a chip on your shoulder (that is how I built my career) and leave the audience to see you as an Asian-American doing that role.”
Tenor Arthur Espiritu was born in Morong, Rizal, Philippines.
He migrated to the United States with his parents in his teens and finished with an Artist Diploma in Music Performance at the Oberlin College Conservatory of Music. He won the La Scala award at the Belvedere Competition in 2007 and the distinguished George London Award in 2009.
Mr. Espiritu has portrayed numerous leading roles in North America, Europe, and Asia, with early career highlights that include his very first Ferrando in Michael Hampe’s staging of Mozart’s Cosi fan tutte in the Teatro alla Scala, the role of Tamino in Mozart’s Die Zauberflöte with the Israeli Opera Tel-Aviv, and the role of Publio in Mozart’s early work, Il sogno di Scipione, with the former Gotham Chamber Opera, New York.
His recent roles include Roberto of Leicester in Donizetti’s Maria Stuarda in the Staatstheater am Gärtnerplatz (the Munich opera house); Edgardo in Donizetti’s Lucia di Lammermoor in the Daegu International Opera Festival, South Korea; Gualtiero in Bellini’s Il Pirata; Alfredo in Verdi’s La Traviata; Cassio in Verdi’s Otello; Rodolfo in Puccini’s La Boheme; and Don Ramiro in Rossini’s La Cenerentola, in Munich’s Staatstheater am Gärtnerplatz. His opera commitments continue unabated in 2025. Read more about him at: https://www.arthurespiritutenor.com/
Performing with Mr. Espiritu is the multi-awarded soprano Jade Riccio. Virtuoso pianist Mariel Ilusorio will accompany them on MiraNila’s newly restored 1904 Steinway, considered rare in the Steinway & Sons catalog.
 |
| Arthur Espiritu |
He returns from European cities after playing leading roles in opera houses and concert halls.
MiraNila promises a magical experience and an exploration of the power of love and the drama of opera with pieces by Gabriel Fauré, Franz Lehar, Giacomo Puccini, Charles Gounod, Richard Strauss, Andrew Lloyd Weber and Francesco Sartori.
In an interview with Michael Ching, Mr. Espiritu recalls, “I started my career in Europe... I had no trouble landing leading European-type roles." Still, he had to prove himself by working harder as he was not as tall as the locals. "In some ways,” he added, “it was easier for female performers."
His advice to younger talents? “Work really, really hard at your artistry, put yourself into that character... take that extra step with a chip on your shoulder (that is how I built my career) and leave the audience to see you as an Asian-American doing that role.”
Tenor Arthur Espiritu was born in Morong, Rizal, Philippines.
He migrated to the United States with his parents in his teens and finished with an Artist Diploma in Music Performance at the Oberlin College Conservatory of Music. He won the La Scala award at the Belvedere Competition in 2007 and the distinguished George London Award in 2009.
Mr. Espiritu has portrayed numerous leading roles in North America, Europe, and Asia, with early career highlights that include his very first Ferrando in Michael Hampe’s staging of Mozart’s Cosi fan tutte in the Teatro alla Scala, the role of Tamino in Mozart’s Die Zauberflöte with the Israeli Opera Tel-Aviv, and the role of Publio in Mozart’s early work, Il sogno di Scipione, with the former Gotham Chamber Opera, New York.
His recent roles include Roberto of Leicester in Donizetti’s Maria Stuarda in the Staatstheater am Gärtnerplatz (the Munich opera house); Edgardo in Donizetti’s Lucia di Lammermoor in the Daegu International Opera Festival, South Korea; Gualtiero in Bellini’s Il Pirata; Alfredo in Verdi’s La Traviata; Cassio in Verdi’s Otello; Rodolfo in Puccini’s La Boheme; and Don Ramiro in Rossini’s La Cenerentola, in Munich’s Staatstheater am Gärtnerplatz. His opera commitments continue unabated in 2025. Read more about him at: https://www.arthurespiritutenor.com/
Performing with Mr. Espiritu is the multi-awarded soprano Jade Riccio. Virtuoso pianist Mariel Ilusorio will accompany them on MiraNila’s newly restored 1904 Steinway, considered rare in the Steinway & Sons catalog.
 |
| Mariel Ilusorio, pianist |
 |
| Jade Riccio, soprano |
Soprano Jade Riccio, an Italian-Filipina who hails from Palawan, earned a slot in the 2024 Person to Watch: Women Who Made It in Music. She was the sole recipient of the 37th Aliw Awards 2024 Hall of Fame from which she won five consecutive awards, including Best Classical Performer in 2018 and 2020 and Best Female Crossover Performer in 2019 and 2022. She earlier received highest recognitions during vocal competitions at the National Music Competition for Young Artists (NAMCYA) in 2014 and the Jovita Fuentes Vocal Competition in 2015. As one of the most sought-after celebrity vocal coaches to some of Asia’s most shining stars, Ms. Riccio is also the CEO, creative producer, and chairperson of a music company called Riccio Music and Artistry (RMA) Studio Academy, a creative hub she founded during the pandemic, which now nurtures nearly 400 students from around the world.
Pianist Mariel Ilusorio studied at the Juilliard School of Music in New York, Oberlin Conservatory of Music in Ohio, and the State College of Music and Theater Hanover (now Hanover University of Music, Drama and Media) in Lower Saxony, Germany. Under the tutelage of Stella Brimo, she won top prizes in Philippine piano competitions before continuing her studies overseas. After performing in the U.S., Germany, France, Switzerland, Italy, South Africa, Zimbabwe, and Indonesia and having lived twenty-six years in the U.S., Germany, and South Africa, she has made the Philippines her home. She continues performing and now organizes concerts and recitals. She is also in the faculty of the UST Conservatory of Music, St. Scholastica's College of Music, the Philippine High School for the Arts, and the Pamantasan ng Lungsod ng Maynila.
This April, the public gets the chance to hear these three outstanding performers in an environment conducive to master-level performances. In the once bucolic environs of Cubao, this four-story 1929 heritage house boasts a living room and library with near perfect acoustics. With its charming gardens and chapel, the grounds are likewise not to be missed.
Book your tickets now and appreciate why critics continue to laud Mr. Espiritu’s performances. With this brief interlude to visit family in the Philippines, his opera engagements in Europe remain steady. Here are some reviews:
—Das Opernglas
Arthur Espiritu as Roméo . . . interpreted his leading role with a heroic tenor. Powerful and musically secure in all registers, he steered timelessly, singing his melodious tenor voice and making his role debut through the demanding role. The soft tones are touching.
—Angus McPherson of Limelight Magazine
Filipino-American tenor Arthur Espiritu as the poet Rodolfo, whose sound is exquisitely polished and contained—almost delicate—with a fine, burnished sheen. Espiritu’s voice warms in Che Gelida Manina as he sensitively crafts the swells and diminuendos.
—Detlef Obens of Opernmagazin Das Opern & Kulturmagazin
As one of the rare Spinto-tenors in the tradition of a Pavarotti, which combine safe heights with lyrical melt and great virtuosity, he travels at large houses worldwide. Sparks spark in the duets of the two.
—Peter Skorepa of OnlineMERKER
Arthur Espiritu achieved great success with his Duke, who also had an impeccable voice. With his well-trained tenor and no fear of heights, he showed how to musically implement the specifications of Leggerezza.
—Florian Krenstetter of The Kronen Zeitung
Photo Credit: Mark Glassner
Arthur Espiritu convinces with a powerful sensitive implementation in the title role. His Don Carlo is characterized by emotions, suffering and hopelessness, to which he submits little rebelliously. His tenor follows effortlessly in all layers and warms with full bright timbre.
—Dr. Andreas Ströbl of Klassik begeistert - Der Opernfreund
The Filipino-American tenor Arthur Espiritu makes this feeling at the mercy of his own doubts and desires come alive with his magnificent vocal power and fantastic height confidence. He crowns this production with top performances in singing and acting, for which he repeatedly receives applause from the audience.
Pianist Mariel Ilusorio studied at the Juilliard School of Music in New York, Oberlin Conservatory of Music in Ohio, and the State College of Music and Theater Hanover (now Hanover University of Music, Drama and Media) in Lower Saxony, Germany. Under the tutelage of Stella Brimo, she won top prizes in Philippine piano competitions before continuing her studies overseas. After performing in the U.S., Germany, France, Switzerland, Italy, South Africa, Zimbabwe, and Indonesia and having lived twenty-six years in the U.S., Germany, and South Africa, she has made the Philippines her home. She continues performing and now organizes concerts and recitals. She is also in the faculty of the UST Conservatory of Music, St. Scholastica's College of Music, the Philippine High School for the Arts, and the Pamantasan ng Lungsod ng Maynila.
This April, the public gets the chance to hear these three outstanding performers in an environment conducive to master-level performances. In the once bucolic environs of Cubao, this four-story 1929 heritage house boasts a living room and library with near perfect acoustics. With its charming gardens and chapel, the grounds are likewise not to be missed.
Book your tickets now and appreciate why critics continue to laud Mr. Espiritu’s performances. With this brief interlude to visit family in the Philippines, his opera engagements in Europe remain steady. Here are some reviews:
—Das Opernglas
Arthur Espiritu as Roméo . . . interpreted his leading role with a heroic tenor. Powerful and musically secure in all registers, he steered timelessly, singing his melodious tenor voice and making his role debut through the demanding role. The soft tones are touching.
—Angus McPherson of Limelight Magazine
Filipino-American tenor Arthur Espiritu as the poet Rodolfo, whose sound is exquisitely polished and contained—almost delicate—with a fine, burnished sheen. Espiritu’s voice warms in Che Gelida Manina as he sensitively crafts the swells and diminuendos.
—Detlef Obens of Opernmagazin Das Opern & Kulturmagazin
As one of the rare Spinto-tenors in the tradition of a Pavarotti, which combine safe heights with lyrical melt and great virtuosity, he travels at large houses worldwide. Sparks spark in the duets of the two.
—Peter Skorepa of OnlineMERKER
Arthur Espiritu achieved great success with his Duke, who also had an impeccable voice. With his well-trained tenor and no fear of heights, he showed how to musically implement the specifications of Leggerezza.
—Florian Krenstetter of The Kronen Zeitung
Photo Credit: Mark Glassner
Arthur Espiritu convinces with a powerful sensitive implementation in the title role. His Don Carlo is characterized by emotions, suffering and hopelessness, to which he submits little rebelliously. His tenor follows effortlessly in all layers and warms with full bright timbre.
—Dr. Andreas Ströbl of Klassik begeistert - Der Opernfreund
The Filipino-American tenor Arthur Espiritu makes this feeling at the mercy of his own doubts and desires come alive with his magnificent vocal power and fantastic height confidence. He crowns this production with top performances in singing and acting, for which he repeatedly receives applause from the audience.
—Alan Neilson of @operawire.com
The tenor Arthur Espiritu... has a sweet timbre and he sings with a lilting Italianate intonation, ideal for the bel canto repertoire, which his aria “Ah! Rimiro il bel sembiante” beautifully confirmed, by highlighting his natural lyricism. He performed exceptionally well in the numerous interactive recitative passages and ensembles.
The tenor Arthur Espiritu... has a sweet timbre and he sings with a lilting Italianate intonation, ideal for the bel canto repertoire, which his aria “Ah! Rimiro il bel sembiante” beautifully confirmed, by highlighting his natural lyricism. He performed exceptionally well in the numerous interactive recitative passages and ensembles.
—Norbert Pabelick of Der Opernfreund
Filipino-American opera singer Arthur Espiritu, who embodied the title part with wonderful Italianita. He is an extremely beautiful, sympathetic and high-altitude Rudolfo, who does not need to fear the comparison with stars... His high C in the aria hit “Che gelida manina” is of an effortlessness and radiance that require admiration. (December 24, 2024)
Doors open at 6:00 p.m. and the program promptly starts at 6:30 p.m. Tickets @ P1,500 (Library) and P2,500 (Main Hall) are limited, so order now. Text Robeen @ 0927 277 6335.
Filipino-American opera singer Arthur Espiritu, who embodied the title part with wonderful Italianita. He is an extremely beautiful, sympathetic and high-altitude Rudolfo, who does not need to fear the comparison with stars... His high C in the aria hit “Che gelida manina” is of an effortlessness and radiance that require admiration. (December 24, 2024)
Doors open at 6:00 p.m. and the program promptly starts at 6:30 p.m. Tickets @ P1,500 (Library) and P2,500 (Main Hall) are limited, so order now. Text Robeen @ 0927 277 6335.
Guests are requested to wear soft-soled shoes as these are kinder to old floors.
Pre-concert and intermission snacks and bottled water are available for sale in the East Patio. The Gift Shop will also be open.
MiraNila Heritage House & Library is located at 26 Mariposa Street, Brgy Bagong Lipunan Crame, Q.C. (Find us on Facebook: MiraNila Heritage House and Library & MiraNila Heritage House Events)
“Critically-acclaimed Tenor Arthur Espiritu All Set for One Night Only Concert at MiraNila on April 2” is presented by the MiraNila Heritage House & Library in partnership with Leon Gallery and Gallery MiraNila of The Blue Leaf with support from the Bizu Groupe.
MiraNila Heritage House & Library is located at 26 Mariposa Street, Brgy Bagong Lipunan Crame, Q.C. (Find us on Facebook: MiraNila Heritage House and Library & MiraNila Heritage House Events)
“Critically-acclaimed Tenor Arthur Espiritu All Set for One Night Only Concert at MiraNila on April 2” is presented by the MiraNila Heritage House & Library in partnership with Leon Gallery and Gallery MiraNila of The Blue Leaf with support from the Bizu Groupe.
.jpg)
.jpeg)
Posts
